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  3. Study for Cinematic Mural, Study IV
Study for Cinematic Mural, Study IV, Fernand Léger, 1938–39
Fernand Léger, portraitFernand LégerFrench, 1881–1955

Study for Cinematic Mural, Study IV

1938–39 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1938–39 · aged 57
18811955
Accession number
737.1966

In the catalog

Drawings & watercolorsGouacheModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Fernand Léger

The whole life
  1. 1936

    The “Discussion on Realism”

    In 1936, in the “Discussion on Realism”, Léger stresses his spiritual independence; he also exhibits at the Salon of Mural Art.

  2. 1 August 1936 – 15 September 1936

    Took part in: D.O.O.D.

  3. 1937

    Meeting Aalto in Helsinki

    In 1937 Léger exhibits at the Artek gallery in Helsinki, where he meets Aalto. In November he gives a lecture in Antwerp, “Colour in the World”.

  4. 1940–1945

    The war years in exile in the United States

    In 1940–1945 Léger lives in exile in the United States. He teaches at Yale University, where Focillon, Milhaud and Maurois also teach, gives “Composition with Two Parrots” to the Museum of Modern Art in New York, and in the summer gives a course of lectures at Mills College (Oakland, California), where he organizes an exhibition of his paintings.

  5. 1940–1945

    Broadway neon and bands of colour

    During his American sojourn Léger begins making paintings in which freely arranged bands of colour are juxtaposed with figures and objects outlined in black. He credited the neon advertisements of Broadway as the source of this innovation: you talk to someone and he suddenly turns blue, then the colour fades, another one comes and turns him red or yellow.

  6. 1940–1945

    A circle of refugees: Pierre Matisse and Father Couturier

    In his years of exile Léger meets other refugee artists at Pierre Matisse's and forms a friendship with Father R. P. Couturier.

More by Fernand Léger

All works
The Village, Fernand Léger, 1914

The Village

1914 · The Metropolitan Museum of Art

Bridge, Fernand Léger, 1908?

Bridge

1908? · The Museum of Modern Art

Table and Fruit, Fernand Léger, 1909

Table and Fruit

1909 · Minneapolis Institute of Art

Exit the Ballets Russes, Fernand Léger, 1914

Exit the Ballets Russes

1914 · The Museum of Modern Art

The Smoker, Fernand Léger, 1914

The Smoker

1914 · The Metropolitan Museum of Art

The City, Fernand Léger, 1919

The City

1919 · The Museum of Modern Art

Three Women, Fernand Léger, 1919

Three Women

1919 · Minneapolis Institute of Art

Three Women, Fernand Léger, 1921-22

Three Women

1921-22 · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950