Edgar DegasFrench, 1834–1917Studies of Figures after "Judgment of Paris" and "Parnassus" by Marcantonio Raimondi
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Harvard Art Museums
Cambridge, United States
It belongs to the collection, but is not on display at present.
- Checked
- 4 days ago
- In this state since
- Sep 27, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1956.10
In the catalog
Sources
- Harvard Art Museums: the museum's own open data · fetched 4 days ago
- Image: Harvard Art Museums — © President and Fellows of Harvard College
Meanwhile, in the life of Edgar Degas
The whole life1853
The Louvre instead of the law
After graduating from the lycée in 1853 Degas registered as a copyist in the Louvre, although his father expected him to become a lawyer; in November he duly enrolled in the Faculty of Law but applied little effort to his studies.
1854
The studio of Louis Lamothe, a pupil of Ingres
At twenty Degas entered the studio of Louis Lamothe, a pupil and follower of Ingres. In the Louvre he copied Poussin and Holbein the Younger, and Courbet and Delacroix influenced him.
1855
Meets Ingres; the École des Beaux-Arts
In 1855 Degas met Ingres, whom he revered, and was advised to draw lines and still more lines, from life and from memory. In April of that year he was admitted to the École des Beaux-Arts, where he studied drawing with Lamothe.
July 1856 – 1859
Three years in Italy
In July 1856 Degas left for Italy, where he stayed for three years. He copied Michelangelo, Raphael and Titian but, contrary to convention, usually picked out of an altarpiece a detail that caught his eye — a secondary figure or a head that he treated as a portrait.
