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  3. Streetcar
Streetcar, Alexander Calder, 1951
Alexander Calder, portraitAlexander CalderAmerican, 1898–1976

Streetcar

1951 · Sculpture

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the sculpture

A leading exponent of kinetic art, Alexander Calder revolutionized sculpture by creating suspended abstract forms that were named “mobiles” by the artist Marcel Duchamp. Describing them as “detached bodies floating in space,” Calder produced works that are perpetually in motion, through a system of weights and counterbalances, as they move in response to subtle air currents. Embracing the rhythms of modern life, Calder’s Streetcar transforms a noisy mode of urban transportation into a restrained, slowed composition of biomorphic shapes made from industrial materials.

Art Institute of Chicago · CC BY 4.0

Particulars

1951 · aged 53
18981976
Accession number
1953.179

In the catalog

SculptureMetalPost-war art20th centuryUnited States

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — © the artist or rights holder

Meanwhile, in the life of Alexander Calder

The whole life
  1. summer 1949

    “Sculpture International” in Philadelphia

    In the summer of 1949 Calder is one of 250 sculptors in the 3rd Sculpture International at the Philadelphia Museum of Art; his “International Mobile” is the centrepiece of the exhibition.

  2. 1950

    Galerie Maeght becomes his Paris dealer

    From 1950 Galerie Maeght in Paris is Calder’s exclusive Parisian dealer for the rest of his life. Both of his dealers, Galerie Maeght in Paris and later the Perls Galleries in New York, averaged about one Calder show each per year.

  3. 1952

    The Grand Prize of the Venice Biennale

    In 1952 Calder wins the Grand Prize of the Venice Biennale. His monumental stabiles soon become part of the architectural ensembles of many cities in Europe and America.

More by Alexander Calder

All works
Rearing Stallion, Alexander Calder, c. 1928

Rearing Stallion

c. 1928 · National Gallery of Art

Sow, Alexander Calder, 1928

Sow

1928 · The Museum of Modern Art

Cow, Alexander Calder, 1929

Cow

1929 · National Gallery of Art

The Acrobats, Alexander Calder, 1929

The Acrobats

1929 · National Gallery of Art

Cow, Alexander Calder, 1929

Cow

1929 · The Museum of Modern Art

Ruby-Eyed, Alexander Calder, 1936

Ruby-Eyed

1936 · National Gallery of Art

Gibraltar, Alexander Calder, 1936

Gibraltar

1936 · The Museum of Modern Art

Untitled (The McCausland Mobile), Alexander Calder, 1937

Untitled (The McCausland Mobile)

1937 · National Gallery of Art

Neighbors at Art Institute of Chicago

Museum page
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942