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  3. Serjeant Ralph Thomas
Serjeant Ralph Thomas, John Everett Millais, 1848
John Everett Millais, portraitJohn Everett MillaisBritish, 1829–1896

Serjeant Ralph Thomas

1848 · Painting · 30.3 × 40.7 cm

May one see it?

Unknown

The National Gallery

London, United Kingdom

The owner is known; whether it is on view today is not.

In this state since
Sep 29, 2026
Source
The museum
On the mapMuseum page

About the painting

Serjeant Ralph Thomas is an early oil painting by English artist John Everett Millais, painted in 1848 when Millais was 18 or 19.

Wikipedia · CC BY-SA

Particulars

1848 · aged 19
18291896
Accession number
NG3159

In the catalog

PaintingsBritish paintingRomanticismRealism19th century

Sources

  • Wikidata
  • Image: The National Gallery — John Everett Millais · Public domain · Wikimedia Commons

Meanwhile, in the life of John Everett Millais

The whole life
  1. 1843–1847

    The Academy’s silver and gold medals

    In 1843 he won a silver medal for a drawing, and in 1847 a gold medal for his painting The Tribe of Benjamin Seizing the Daughters of Shiloh.

  2. 1846

    “Pizarro Seizing the Inca of Peru” at the Academy’s exhibition

    In 1846 his history painting Pizarro Seizing the Inca of Peru was selected for the Academy’s summer exhibition, and the critics judged it the best on show that year.

  3. September 1847

    Founds the Pre-Raphaelite Brotherhood with Hunt and Rossetti

    While at the Royal Academy Schools he met William Holman Hunt and Dante Gabriel Rossetti, and in September 1847 the three formed the Pre-Raphaelite Brotherhood at the Millais family home at 83 Gower Street, off Bedford Square.

  4. 1850

    The scandal over “Christ in the House of His Parents”

    Christ in the House of His Parents (1850) was judged excessively realistic, showing a working-class Holy Family in a messy carpentry workshop, and The Times called it outrageous. Millais was undaunted: the critic John Ruskin saw his outstanding talent at once and backed him, and his works were always accepted for the Academy’s exhibitions, however radical.

More by John Everett Millais

All works
Peace Concluded, Sir John Everett Millais, 1856

Peace Concluded

1856 · Minneapolis Institute of Art

The Ransom, John Everett Millais, 1860–1862

The Ransom

1860–1862 · J. Paul Getty Museum

Pizarro Seizing the Inca of Peru, John Everett Millais, 1846

Pizarro Seizing the Inca of Peru

1846 · Victoria and Albert Museum

Ophelia, John Everett Millais, 1851

Ophelia

1851 · The National Gallery

Miss Anne Ryan, John Everett Millais

Miss Anne Ryan

The National Gallery

The Order of Release, John Everett Millais, 1850s

The Order of Release

1850s · The National Gallery

The Vale of Rest, John Everett Millais, 1850s

The Vale of Rest

1850s · The National Gallery

Lovers under a Tree, John Everett Millais, 1840

Lovers under a Tree

1840 · Not on view · National Gallery of Art

From the collection of The National Gallery

Museum page
Virgin of the Rocks, Leonardo da Vinci, 1490s

Leonardo da Vinci

Virgin of the Rocks, 1490s

Long Grass with Butterflies, Vincent van Gogh, 1890

Vincent van Gogh

Long Grass with Butterflies, 1890

Farms near Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Farms near Auvers, 1890

A Wheatfield, with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

A Wheatfield, with Cypresses, 1889

Head of a Peasant Woman, Vincent van Gogh, 1885

Vincent van Gogh

Head of a Peasant Woman, 1885

Manchester Madonna, Michelangelo, c. 1494

Michelangelo

Manchester Madonna, c. 1494

The Entombment, Michelangelo, c. 1500s

Michelangelo

The Entombment, c. 1500s

The Grand Canal, Venice, Claude Monet, 1908

Claude Monet

The Grand Canal, Venice, 1908