Schlangendame, from Jahrmarkt, Max Beckmann, 1921 (published 1922)
Max Beckmann, portraitMax BeckmannGerman, 1884–1950

Schlangendame, from Jahrmarkt

1921 (published 1922) · Print · 53.98 × 38.42 cm

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Not on view at present

Where is “Schlangendame, from Jahrmarkt” now? Collection: Minneapolis Institute of Art, Minneapolis. Not on view at present. Checked September 29, 2026.

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

In Jahrmarkt (Annual Fair), Max Beckmann imagines the world as a traveling carnival teeming with an eclectic cast of actors, dancers, and circus entertainers who perform in the theater of life. Beckmann casts himself as a carnival barker in the series’ opening plate, ringing a small bell to announce the show, and cajoling viewers to enter the Circus Beckmann, a curious realm of outsiders and misfits. Many of the protagonists are friends and acquaintances of the artist; he even includes his wife Minna in the series, who famously appears along with Beckmann balancing on a tightrope. As the scenes of the portfolio unfold, a pageant of players takes the stage: a tall man, a sharpshooter, a snake charmer, exotic dancers, musicians, and other circus entertainers perform in succession.

Read on

In one plate from the series, Beckmann presents a carousal crowded with a diverse lot of humanity, an apt metaphor for the apparent aimlessness of life. The series was inspired in part by Beckmann’s visits to the Prater, a Viennese amusement park, where he observed the performers and visitors and sketched them from life. Justly celebrated for its incisive observations on the human condition, Jahrmarkt is a brilliant example of Beckmann’s mature graphic style and seminal publication of German Expressionism.

Minneapolis Institute of Art

Details

Accession number
2014.124.10

In the catalog

Sources

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On view at Minneapolis Institute of Art

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