Saint Paul, Le Guerchin, 1e moitié du XVIIe siècle (1600 - 1650)
Giovanni Francesco Barbieri, called Guercino, portraitGiovanni Francesco Barbieri, called GuercinoItalian, 1591–1666

Saint Paul

first half of the 17th century (1600–1650) · Painting

Can I see it?

Not on view at present

Where is “Saint Paul” now? Collection: Musée du Louvre, Paris. Not on view at present. Checked September 26, 2026.

Musée du Louvre

Paris, France

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
INV 80

In the catalog

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2007 GrandPalaisRmn (musée du Louvre) / Jean-Gilles Berizzi

In the life of Giovanni Francesco Barbieri, called Guercino

The whole life
  1. 1621

    Moves to Rome, to the court of Gregory XV

    Marchese Enzo Bentivoglio recommended Guercino to the newly elected Pope Gregory XV, the Bolognese Alessandro Ludovisi. His Roman years (1621–1623) were the most productive of his life; the portrait of the pope (now in the Getty Museum) dates from them.

  2. 1623

    Returns to his native Cento

    After the death of Pope Gregory XV, Guercino left Rome and returned to his hometown.

  3. 1623

    Ottavio Leoni draws his portrait

    The portrait emphasises the permanent squint that gave the artist his nickname. Guercino's right eye was apparently 'lazy' and he presumably had monocular vision — which did not stop him conveying depth remarkably well.

  4. 1629

    The Barbieri household account book begins

    From this year Guercino's affairs are recorded in the Libro dei Conti di Casa Barbieri, kept up with his brother Paolo Antonio, a notable still-life painter; the book survives. He worked with extreme rapidity — no fewer than 106 large altarpieces and some 144 other paintings, besides a great many drawings.

  5. 1642

    Moves to Bologna after Guido Reni's death

    After the death of his commercial rival Guido Reni, Guercino moved his busy workshop to Bologna and took over Reni's role as the city's leading painter of sacred subjects. He painted and taught to the end of his life, amassed a notable fortune and, never having married, left it to his nephews and pupils Benedetto Gennari II and Cesare Gennari.

All works

On view at Musée du Louvre

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