ART WIKI
Samson Captured by the Philistines, Guercino, 1619
Giovanni Francesco Barbieri, called Guercino, portraitGiovanni Francesco Barbieri, called GuercinoItalian, 1591–1666

Samson Captured by the Philistines

1619 · Painting

Can I see it?

Yes, on view now

Where is “Samson Captured by the Philistines” now? The Metropolitan Museum of Art, Gallery 620, New York. Yes, on view now. Checked September 29, 2026.

The Metropolitan Museum of Art

New York, United States

Room620

Open now· until 9:00 PM

On public display.

Checked
In this state since
Source
The museum
On the mapMuseum page

Details

Accession number
1984.459.2

What it shows

WomanSamson

In the catalog

PaintingsOilItalian paintingBaroque17th century

Sources

More by Giovanni Francesco Barbieri, called Guercino

All works
Moonlight Landscape, Guercino

Moonlight Landscape

Nationalmuseum

La Résurrection de Lazare, Le Guerchin, 1e quart du XVIIe siècle (1600 - 1625)

La Résurrection de Lazare

first quarter of the 17th century (1600–1625) · Musée du Louvre

La Vision de saint Jérôme, Le Guerchin, 1e quart du XVIIe siècle (1600 - 1625)

La Vision de saint Jérôme

first quarter of the 17th century (1600–1625) · Musée du Louvre

Saint François en extase et saint Benoît avec un ange musicien, Le Guerchin, 1e quart du XVIIe siècle (1620)

Saint François en extase et saint Benoît avec un ange musicien

first quarter of the 17th century (1620) · Musée du Louvre

Pope Gregory XV, Guercino, about 1622–1623

Pope Gregory XV

about 1622–1623 · J. Paul Getty Museum

Assumption of the Virgin Mary, Giovanni Francesco Barbieri, called Guercino, 1623

Assumption of the Virgin Mary

1623 · State Hermitage Museum

Les Larmes de saint Pierre, Le Guerchin, 2e quart du XVIIe siècle (1625 - 1650)

Les Larmes de saint Pierre

second quarter of the 17th century (1625–1650) · Musée du Louvre

Hersilie séparant Romulus et Tatius, Le Guerchin, 2e quart du XVIIe siècle (1645)

Hersilie séparant Romulus et Tatius

second quarter of the 17th century (1645) · Musée du Louvre

In the same room · Gallery 620, The Metropolitan Museum of Art

Museum page
The Musicians, Caravaggio, 1597

Caravaggio

The Musicians, 1597

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

The Denial of Saint Peter, 1610

The Immaculate Conception, Guido Reni, 1627

Guido Reni

The Immaculate Conception, 1627

The Coronation of the Virgin, Annibale Carracci, after 1595

Annibale Carracci

The Coronation of the Virgin, after 1595

Charity, Guido Reni, ca. 1630

Guido Reni

Charity, ca. 1630

Saint John the Baptist Bearing Witness, Annibale Carracci, ca. 1600

Annibale Carracci

Saint John the Baptist Bearing Witness, ca. 1600

The Burial of Christ, Annibale Carracci, 1595

Annibale Carracci

The Burial of Christ, 1595

Abduction of a Sabine Woman, Giambologna, model ca. 1579; cast possibly late 16th century

Giambologna

Abduction of a Sabine Woman, model ca. 1579; cast possibly late 16th century

On the same theme · Woman

All works on the theme
Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

The Metropolitan Museum of Art

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Garden at Sainte-Adresse, 1867

The Metropolitan Museum of Art

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

The Metropolitan Museum of Art

Two Women on the Shore, Edvard Munch, 1898

Edvard Munch

Two Women on the Shore, 1898

Rijksmuseum

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Woman with a Water Jug, ca. 1662

The Metropolitan Museum of Art

Study of a Young Woman, Johannes Vermeer, ca. 1665–67

Johannes Vermeer

Portrait of a Young Woman, ca. 1665–67

The Metropolitan Museum of Art

Mrs. Gunn on Porch, Independence, California, Ansel Adams, 1944, printed 1981

Ansel Adams

Mrs. Gunn on Porch, Independence, California, 1944, printed 1981

Not on view · National Gallery of Art

Spanish American Woman, near Chimayo, New Mexico, Ansel Adams, 1937, printed 1981

Ansel Adams

Spanish American Woman, near Chimayo, New Mexico, 1937, printed 1981

Not on view · National Gallery of Art