Edgar DegasFrench, 1834–1917René-Hilaire de Gas, Grandfather of the Artist
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Not receiving at present
National Gallery of Art
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- 5 hours ago
- In this state since
- Aug 19, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1951.16.42
What it shows
In the catalog
Sources
- National Gallery of Art: the museum's own open data · fetched 4 days ago
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Edgar Degas
The whole life1854
The studio of Louis Lamothe, a pupil of Ingres
At twenty Degas entered the studio of Louis Lamothe, a pupil and follower of Ingres. In the Louvre he copied Poussin and Holbein the Younger, and Courbet and Delacroix influenced him.
1855
Meets Ingres; the École des Beaux-Arts
In 1855 Degas met Ingres, whom he revered, and was advised to draw lines and still more lines, from life and from memory. In April of that year he was admitted to the École des Beaux-Arts, where he studied drawing with Lamothe.
July 1856 – 1859
Three years in Italy
In July 1856 Degas left for Italy, where he stayed for three years. He copied Michelangelo, Raphael and Titian but, contrary to convention, usually picked out of an altarpiece a detail that caught his eye — a secondary figure or a head that he treated as a portrait.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
