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  3. Paysage
Paysage, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)
Théodore Rousseau, portraitThéodore RousseauFrench, 1812–1867

Paysage

second quarter of the 19th century (1825–1850) · Painting

May one see it?

Not receiving at present

Musée du Louvre

Paris, France

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 26, 2026
Source
The museum
On the mapMuseum page

Particulars

second quarter of the 19th century (1825–1850)
18121867
Accession number
RF 1974 6

In the catalog

PaintingsOilFrench paintingNeoclassicismRomanticism19th century

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2018 GrandPalaisRmn (musée du Louvre) / Mathieu Rabeau

Meanwhile, in the life of Théodore Rousseau

The whole life
  1. 1831

    Salon debut: a landscape of the Auvergne

    The nineteen-year-old Rousseau submitted work to the Paris Salon, and his landscape of the wild Auvergne won recognition for its lively brushwork. At the Salons of 1831, 1833, 1834 and 1835 he showed six works.

  2. 1836

    The Salon rejects “Landscape of the Jura”

    In 1836 the Salon jury rejected Rousseau's great work “Landscape of the Jura” (“The Descent of the Cattle”), and of the eight works he sent to the Salon between 1836 and 1841 none was accepted. By other accounts, the four Salons after his 1831 debut had already gone badly.

  3. winter 1836 – 1837

    First winter at Barbizon

    Rousseau spent the winter of 1836–1837 at Barbizon with the painters Narcisse Díaz de la Peña and Théodore Caruelle d'Aligny; the nature there impressed him so deeply that from then on he came back every year. In time a circle of painters who, like him, painted nature from life gathered around him — Cabat, Daubigny, Dupré — and so the Barbizon school gradually took shape.

  4. 1848

    Settles in Barbizon for good

    Until then Rousseau had lived at Barbizon only occasionally, but in 1848 he settled in the forest village (with his wife, by some accounts) and spent most of his remaining days in its vicinity. His neighbour, the landscape painter Jules Dupré, recalled how hard Rousseau found it to know when a picture was finished, and how he would sometimes carry off a canvas on which his friend had laboured too long.

  5. 1849

    Returns to the Salon

    In 1849 Rousseau sent work to the Salon again, and all three of his submissions were accepted. He could now obtain fair sums for his pictures, though only about a tenth of their value thirty years after his death, and his admirers grew in number.

  6. 1851

    Exhibits “The Edge of the Forest”

    In 1851, after the reorganization of the Salon of 1848, Rousseau exhibited his masterpiece, “The Edge of the Forest” (now in the Louvre). The authorities still ignored him: that year the Legion of Honour went to Narcisse Diaz, whom Rousseau had taught to paint trees, while he himself received the Cross only soon afterwards.

More by Théodore Rousseau

All works
The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67

The Forest in Winter at Sunset

ca. 1846–67 · The Metropolitan Museum of Art

L'allée des châtaigniers, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)

L'allée des châtaigniers

second quarter of the 19th century (1825–1850) · Musée du Louvre

Panoramic Landscape near the River Moselle, Théodore Rousseau, c. 1830

Panoramic Landscape near the River Moselle

c. 1830 · National Gallery of Art

Paysage (Auvergne?), Rousseau, Théodore, 2e quart du XIXe siècle (vers 1830)

Paysage (Auvergne?)

second quarter of the 19th century (c. 1830) · Musée du Louvre

A River in a Meadow, Théodore Rousseau, ca. 1840

A River in a Meadow

ca. 1840 · The Metropolitan Museum of Art

Village sous les arbres, Rousseau, Théodore, Milieu du XIXe siècle (1840 - 1860)

Village sous les arbres

mid 19th century (1840–1860) · Musée du Louvre

La plaine en avant des Pyrénées, Rousseau, Théodore, 2e quart du XIXe siècle (1844)

La plaine en avant des Pyrénées

second quarter of the 19th century (1844) · Musée du Louvre

A River Landscape, Théodore Rousseau, ca. 1845–50

A River Landscape

ca. 1845–50 · The Metropolitan Museum of Art

Neighbors at Musée du Louvre

Museum page
Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

Mona Lisa, first quarter of the 16th century (1503–1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

Bacchus, first quarter of the 16th century (c. 1517–1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

Saint John the Baptist, first quarter of the 16th century (c. 1508–1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, 16th century (c. 1505–1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

The Virgin and Child with Saint Anne, first quarter of the 16th century (c. 1503–1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, last quarter of the 15th century (c. 1483–1494)

Esclave rebelle, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Rebellious Slave, 1513 - 1515

Esclave mourant, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Dying Slave, 1513 - 1515