Paul Strand, Alfred Stieglitz, 1919
Alfred Stieglitz, portraitAlfred StieglitzAmerican, 1864–1946

Paul Strand

1919 · Photograph

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Particulars

Accession number
1949.3.411

What it shows

In the catalog

Sources

Meanwhile, in the life of Alfred Stieglitz

The whole life
  1. 1917

    The end of the 291 gallery and of Camera Work

    The year 1917 saw the end both of Stieglitz's direction of the 291 gallery, which he had run since 1905, and of Camera Work, which had produced 50 issues in 14 years. He later ran several more galleries.

  2. 1917

    Duchamp's “Fountain” photographed at 291

    Marcel Duchamp's readymade Fountain, a urinal signed “R. Mutt” that had been rejected by the Society of Independent Artists exhibition, was displayed and photographed at Stieglitz's gallery-studio 291. The photograph was published in The Blind Man; the original soon disappeared, and it was from this photograph that the Fountain was later reconstructed.

  3. June 1918

    O'Keeffe comes to New York; he leaves his family

    In early June 1918 O'Keeffe moved to New York from Texas after Stieglitz promised her a quiet studio. Within a month his wife Emmy came home during one of the first nude photography sessions in the family apartment and told him to stop seeing O'Keeffe or get out; Stieglitz left and immediately found a place in the city where he and O'Keeffe could live together.

  4. early 1921

    Exhibition at the Anderson Galleries: 146 prints

    At the invitation of Mitchell Kennerley, in early 1921 Stieglitz hung his first one-man exhibition since 1913: of the 146 prints only 17 had been seen before, and 46 were of O'Keeffe, many of them nudes, with the model unidentified. In the catalogue he made his famous declaration: “I was born in Hoboken. I am an American. Photography is my passion. The search for Truth my obsession.”

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