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  1. Collection/
  2. The Museum of Modern Art/
  3. Main Current (Hauptstrom)
Main Current (Hauptstrom), Joseph Beuys, 1967
Joseph Beuys, portraitJoseph BeuysGerman, 1921–1986

Main Current (Hauptstrom)

1967 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1967 · aged 46
19211986
Accession number
1284.2005

In the catalog

Drawings & watercolorsGraphitePost-war art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Joseph Beuys

The whole life
  1. 1960s

    Forms the idea of “social sculpture”

    Drawing on Novalis and Schiller and on Rudolf Steiner's ideas of social threefolding, Beuys developed the concept of social sculpture: society as a whole is one great work of art to which everyone can contribute creatively (“everyone is an artist”).

  2. 26 November 1965

    First solo exhibition in a private gallery

    The show opened with an action involving a dead hare: Beuys, his face covered in honey and gold leaf, murmured explanations of the drawings on the walls to the animal while viewers watched through the gallery window; some critics called the photograph with the hare a new Mona Lisa of the 20th century.

  3. 1967

    Founds a party made up of students

    In June 1967, during a student demonstration in West Berlin, a participant died after a clash with the police; in response Beuys created a political party made up solely of students, demanding student self-government and free admission to university for anyone who wished.

  4. 27 June 1968 – 6 October 1968

    Exhibition: 4. documenta

  5. 1969

    Calls teaching his greatest work

    In a 1969 Artforum interview with Willoughby Sharp, Beuys added to his famous statement that teaching is his greatest work of art: the rest is merely waste product and demonstration.

More by Joseph Beuys

All works
Eurasia Siberian Symphony 1963, Joseph Beuys, 1966

Eurasia Siberian Symphony 1963

1966 · The Museum of Modern Art

Green Violin (Grüne Geige), Joseph Beuys, Henning Christiansen, 1974

Green Violin (Grüne Geige)

1974 · The Museum of Modern Art

Untitled, Joseph Beuys, n.d.

Untitled

n.d. · Not on view · The Museum of Modern Art

Untitled, Joseph Beuys, 1947 and 1970s

Untitled

1947 and 1970s · Not on view · The Museum of Modern Art

Untitled III, Joseph Beuys, 1948-81

Untitled III

1948-81 · Not on view · The Museum of Modern Art

Hind (Hirschkuh), Joseph Beuys, 1948, printed 1973-74

Hind (Hirschkuh)

1948, printed 1973-74 · Not on view · The Museum of Modern Art

Shallows (Wattenmeer), Joseph Beuys, 1949,  printed 1973-74

Shallows (Wattenmeer)

1949, printed 1973-74 · Not on view · The Museum of Modern Art

Untitled V, Joseph Beuys, 1949-82

Untitled V

1949-82 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950