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  1. Collection/
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  3. L'ENFANCE DE BACCHUS
L'ENFANCE DE BACCHUS, Nicolas Poussin, 1630 vers
Nicolas Poussin, portraitNicolas PoussinFrench, 1594–1665

L'ENFANCE DE BACCHUS

Painting · 135 × 168 cm

May one see it?

Unknown

MC
Musée Condé

Chantilly, France

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

1630 · aged 36
15941665
Accession number
PE 298

What it shows

Scène mythologique (Bacchus : enfant, nu, sommeil, Silène, nymphe : nudité, satyre, couronne, feuille : vigne),vaisselle,pot,feuillu,fond de paysage

In the catalog

PaintingsOilFrench paintingBaroque17th centuryFrance

Sources

  • Musée Condé
  • Image: Musée Condé — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

Meanwhile, in the life of Nicolas Poussin

The whole life
  1. 1620s

    The Cavaliere Marino takes the painter under his wing

    Poussin’s work caught the attention of the Italian poet Cavaliere Marino, then living in France; his patronage let the thirty-year-old painter work in peace. According to Bellori the poet took him into his house and helped him with the invention of subjects and the rendering of emotion, and in Marino’s house Poussin gained access to a library with treatises by Alberti and Dürer and manuscripts and drawings by Leonardo.

  2. c. 1629

    A grave illness: the Dughet family nurses Poussin

    Around 1629 Poussin fell gravely ill and was nursed by the family of the French pastry-cook Dughet; on recovering he became engaged to the eldest daughter, Anne-Marie. The wedding in the church of San Lorenzo in Lucina took place on 1 September 1630.

  3. 1630

    Gives up monumental commissions

    In 1630 the commission headed by Domenichino and d’Arpino gave the decoration of the Chapel of the Immaculate Conception in San Luigi dei Francesi to the Lorrainer Charles Mellin, not to Poussin. After that he firmly renounced the monumental genre and turned to “cabinet painting” for private patrons.

  4. 9 August 1630

    Married: Anne-Marie Dughet

  5. 1630s

    Cassiano dal Pozzo — his chief patron

    Poussin’s flowering coincided with his complete abandonment of church commissions: he gathered a circle of patrons around him but strove for independence, accepting commissions from connoisseurs without binding himself to any of them permanently. The most important was Cassiano dal Pozzo; in the surviving correspondence the relationship comes close to servitude, although the painter did not live in his house.

  6. 1632

    Elected to the Academy of St Luke

    In 1632 Poussin was elected a member of the Academy of St Luke — two years after he had given up monumental commissions for cabinet painting.

More by Nicolas Poussin

All works
The Abduction of the Sabine Women, Nicolas Poussin, probably 1633–34

The Abduction of the Sabine Women

probably 1633–34 · The Metropolitan Museum of Art

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658

Blind Orion Searching for the Rising Sun

1658 · The Metropolitan Museum of Art

La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant, Poussin, Nicolas, Milieu du XVIIe siècle (vers 1650 - 1951)

La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant

mid 17th century (c. 1650–1951) · Musée du Louvre

Victory of Joshua over the Amalekites, Nicolas Poussin, 1623

Victory of Joshua over the Amalekites

1623 · State Hermitage Museum

Mars et Vénus, Poussin, Nicolas, 1e tiers du XVIIe siècle (vers 1625)

Mars et Vénus

first third of the 17th century (c. 1625) · Musée du Louvre

Bacchanale à la joueuse de guitare, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1625)

Bacchanale à la joueuse de guitare

second quarter of the 17th century (c. 1625) · Musée du Louvre

La Nourriture de Bacchus, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1626)

La Nourriture de Bacchus

second quarter of the 17th century (c. 1626) · Musée du Louvre

The Agony in the Garden, Nicolas Poussin, 1626–27

The Agony in the Garden

1626–27 · The Metropolitan Museum of Art

From the collection of Musée Condé

Museum page
LA VIERGE DE LORETTE, Raphaël, 1509 vers,1510 et

Raphael

Madonna of Loreto

LA MADONE DE LA MAISON D'ORLEANS, Raphaël, 1506

Raphael

Madonna d'Orleans, 1506

LES TROIS GRACES, Raphaël, 1504 vers,1505 ou

Raphael

Three Graces

l'Annonciation, Albrecht Durer, 1526

Albrecht Dürer

l'Annonciation, 1526

Le voyage aux Pays-Bas ; L'hôtel de ville d'Aix la Chapelle (recto) ; Caspar Sturm devant un paysage fluvial (verso), Albrecht Durer, 1520

Albrecht Dürer

Le voyage aux Pays-Bas ; L'hôtel de ville d'Aix la Chapelle (recto) ; Caspar Sturm devant un paysage fluvial (verso), 1520

La Mélancolie, Albrecht Durer, 1514

Albrecht Dürer

Melencolia I, 1514

Saint Jérôme dans sa cellule, Albrecht Durer, 1514

Albrecht Dürer

St. Jerome in His Study, 1514

LES DEUX FOSCARI, Eugène Delacroix, 1855

Eugène Delacroix

LES DEUX FOSCARI, 1855