Le Soir, Corot, Jean-Baptiste Camille, XIXe siècle (1800 - 1900)
Camille Corot, portraitCamille CorotFrench, 1796–1875

Le Soir

19th century (1800–1900) · Painting

Can I see it?

Not on view at present

Where is “Le Soir” now? Collection: Musée du Louvre, Paris. Not on view at present. Checked September 26, 2026.

Musée du Louvre

Paris, France

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
RF 1360

In the catalog

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2016 GrandPalaisRmn (musée du Louvre) / Franck Raux

In the life of Camille Corot

The whole life
  1. 1807–1812 · Education

    Lycée Pierre-Corneille

  2. 1822

    His father consents to an artist's career

    At 26 Corot won his father's consent to adopt the profession of art; he later recalled telling his father that business and he were simply incompatible and that he was getting a divorce.

  3. 1825–1828

    First trip to Italy

    With his parents' support Corot went to Italy to study the Renaissance masters and draw the crumbling monuments of antiquity; his parents' condition was that he paint a self-portrait for them, his first. In three years he completed over 200 drawings and 150 paintings, worked and travelled with several young French painters, and spent most of his time around Rome and in the Italian countryside.

  4. 1827

    Salon debut: “View at Narni”

    In 1827 Corot sent his first painting to the Salon, “View at Narni”. He transformed a quick study of a ruined Roman aqueduct in bright sun into an idyllic pastoral setting with giant shade trees and green lawns, a conversion meant to appeal to the Neoclassical jurors.

  5. 1835

    A sensation at the Salon: “Hagar in the Wilderness”

    In 1835 Corot created a sensation at the Salon with his biblical painting “Hagar in the Wilderness”, showing Hagar and the child Ishmael dying of thirst until saved by an angel; his bold, fresh statement of the Neoclassical ideal succeeded with the critics. The biblical and mythological subjects that followed did not succeed as well, as the critics found him wanting in comparison with Poussin.

  6. 22 February 1875

    Died

All works

On view at Musée du Louvre

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