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  3. Landscape with a Draftsman
Landscape with a Draftsman, Claude Gellée, c. 1638–41
Claude Lorrain, portraitClaude LorrainFrench, 1600–1682

Landscape with a Draftsman

c. 1638–41 · Print · 12.7 × 17.94 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the work

Claude Lorrain was born in the Duchy of Lorrain in modern-day France, but he pursued his artistic career in Rome, where he became the most sought-after landscape painter of his time. He was also active as a printmaker and prolific as a draftsman. He and fellow artists made frequent trips into the countryside to study the terrain, plants, animals, people, and perhaps most of all, the atmospheric light that suffused the whole with romantic magic. In the lower left corner of this etching, we see an artist engaged in making just such observations as two companions look on. Claude presents us with grist for our imaginations as travelers pass to and from the great stone seaside port, and we also see past the far side of the bay, out to the distant horizon.

Minneapolis Institute of Art

Particulars

c. 1638–41
16001682
Accession number
2013.26.6

In the catalog

PrintsEtchingBaroque17th centuryFrance

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain

Meanwhile, in the life of Claude Lorrain

The whole life
  1. 1635–1638

    Pope Urban VIII commissions four paintings

    According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.

  2. 1637

    The French ambassador buys two paintings

    In 1637 the French ambassador to the Vatican bought two paintings from Claude, “View of the Roman Forum” and “View of a Port with the Capitol”, which are now in the Louvre.

  3. late 1630s

    Italy’s leading landscapist, with large fees

    By the end of the 1630s Claude was established as the leading landscapist in Italy and enjoyed large fees; his landscapes gradually became larger but with fewer figures, more carefully painted and produced at a lower rate.

  4. 1639

    Philip IV commissions seven paintings

    In 1639 Philip IV of Spain commissioned seven paintings from Claude, now in the Prado, among them two landscapes with hermits.

  5. 1642

    Gives up etching for painting

    Claude was a skilful etcher but gave up etching for good in 1642, choosing painting.

More by Claude Lorrain

All works
Pastoral Landscape, Claude Gellée, 1638

Pastoral Landscape

1638 · Minneapolis Institute of Art

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643

The Trojan Women Setting Fire to Their Fleet

ca. 1643 · The Metropolitan Museum of Art

Le Port de Gênes, vu de la mer, Gellée, Claude, 2e quart du XVIIe siècle (vers 1627 - 1629)

Le Port de Gênes, vu de la mer

second quarter of the 17th century (c. 1627–1629) · Musée du Louvre

Landscape with Merchants, Claude Lorrain, c. 1629

Landscape with Merchants

c. 1629 · National Gallery of Art

Siège de la Rochelle par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Siège de la Rochelle par Louis XIII

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Paysage avec pâtre et troupeau, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Paysage avec pâtre et troupeau

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Marine. Soleil couchant, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Marine. Soleil couchant

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Le Pas de Suse forcé par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Le Pas de Suse forcé par Louis XIII

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34