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  1. Collection/
  2. Slovak National Gallery/
  3. Jules Favry
Jules Favry, Honoré Daumier, 1848–1849
Honoré Daumier, portraitHonoré DaumierFrench, 1808–1879

Jules Favry

1848–1849 · Print

May one see it?

Unknown: the museum keeps its counsel

Slovak National Gallery

Bratislava, Slovakia

The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.

In this state since
Sep 27, 2026
Source
The museum's own collection data
On the mapMuseum page

Particulars

1848–1849
18081879

In the catalog

PrintsRomanticismRealism19th century

Sources

  • Slovak National Gallery: the museum's own open data · fetched 8 days ago
  • Image: Slovak National Gallery — Public Domain Mark 1.0

Meanwhile, in the life of Honoré Daumier

The whole life
  1. 1846

    Move to the Île Saint-Louis; Meeting Baudelaire

    In 1846 the couple moved to 9 Quai d'Anjou on the Île Saint-Louis, where they lived until 1863. Writers and artists gathered at the nearby Hôtel de Lauzun; there Daumier met Baudelaire, who became his close friend and champion, and grew close to Corot, Courbet, Delacroix, Millet, and Rousseau.

  2. 2 February 1846

    Birth of His Son Honoré

    On 2 February 1846 the seamstress Alexandrine Dassy gave birth to Daumier's son, named Honoré.

  3. 16 April 1846

    Marriage to Alexandrine Dassy

    On 16 April 1846 Daumier married Alexandrine Dassy.

  4. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  5. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  6. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

More by Honoré Daumier

All works
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · The Metropolitan Museum of Art

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · National Gallery of Art