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  3. Judas at the Last Supper
Judas at the Last Supper, ca. 1200

Judas at the Last Supper

ca. 1200 · Relief · 8.5 × 7 cm

About the sculpture

Judas’s head is seen in profile, receiving bread from the hand of Christ whose upper half is missing. The bread was a sign of favour, making Judas’s subsequent betrayal all the more evil. This relief probably formed part of an altarpiece showing scenes from Christ’s Passion – the events associated with his death and resurrection.

The fragment is a masterpiece of expressive visualisation, capturing the moment at which Judas greedily identifies himself as the betrayer of Christ a the Last Supper

Victoria and Albert Museum

Particulars

Accession number
A.34-1949

In the same room · Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery, Victoria and Albert Museum

Museum page

On the same theme · Jesus

All works on the theme

May one see it?

Yes, receiving visitors

Victoria and Albert Museum

London, United Kingdom

RoomMedieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

On public display.

Checked
13 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

JesusSt John

In the catalog

SculptureIvoryMiddle AgesBefore 1400RomanesqueEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Virgin and Child, ca. 1220-1230

Virgin and Child, ca. 1220-1230

The Deposition of Christ, ca. 1200

The Deposition of Christ, ca. 1200

The Ascension, ca. 1180

The Ascension, ca. 1180

Virgin and Child, 1170-80

Virgin and Child, 1170-80

Relief of Saint Peter, ca. 1160

Relief of Saint Peter, ca. 1160

Virgin and Child, ca. 1160-1180

Virgin and Child, ca. 1160-1180

Relief depicting Saint Paul, ca. 1160

Relief depicting Saint Paul, ca. 1160

The Ascension, ca. 1160-70

The Ascension, ca. 1160-70

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Hail Mary), 1891

The Metropolitan Museum of Art

The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320

Giotto

The Adoration of the Magi, possibly ca. 1320

The Metropolitan Museum of Art

The Adoration of the Shepherds, Andrea Mantegna, shortly after 1450

Andrea Mantegna

Adoration of the Shepherds, shortly after 1450

The Metropolitan Museum of Art

Madonna and Child, Giovanni Bellini, late 1480s

Giovanni Bellini

Madonna and Child, late 1480s

The Metropolitan Museum of Art

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera, 1648

Jusepe de Ribera

The Holy Family with Saints Anne and Catherine of Alexandria, 1648

The Metropolitan Museum of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475

Hieronymus Bosch

The Adoration of the Magi, ca. 1475

The Metropolitan Museum of Art

The Adoration of the Shepherds, El Greco (Domenikos Theotokopoulos) and Workshop, ca. 1612–14

El Greco

The Adoration of the Shepherds, ca. 1612–14

The Metropolitan Museum of Art

The Adoration of the Shepherds, El Greco, ca. 1605–10

El Greco

The Adoration of the Shepherds, ca. 1605–10

The Metropolitan Museum of Art