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  1. Collection/
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  3. Gathering for a Demonstration
Gathering for a Demonstration, Alexander Rodchenko, 1928
Aleksandr Rodchenko, portraitAleksandr RodchenkoRussian, 1891–1956

Gathering for a Demonstration

1928 · Photograph · 22.54 × 14.29 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

Particulars

1928 · aged 37
18911956
Accession number
92.106.1

In the catalog

PhotographsGelatin silver printModernism20th centuryRussia

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — © Estate Alexander Rodchenko / Licensed by VAGA at Artists Rights Society (ARS), NY

Meanwhile, in the life of Aleksandr Rodchenko

The whole life
  1. 1920–1930

    Professor at VKhUTEMAS/VKhUTEIN

    For ten years Rodchenko teaches in the woodworking and metalworking faculties (merged into the Dermetfak in 1928), training students to design multifunctional objects for everyday life and public buildings, expressive through construction rather than ornament.

  2. 1923–1928

    LEF and Novy LEF with Mayakovsky

    From 1923 to 1928 Rodchenko works closely with Mayakovsky — photographing him several times and designing and laying out LEF and Novy LEF, the Constructivists' publications; many of his photographs serve as their covers.

  3. 1926

    First angled shots published in Sovetskoe Kino

    The magazine Sovetskoe Kino publishes his first angled shots of buildings — the series “The Building on Myasnitskaya” (1925) and “The Mosselprom Building” (1926). Rodchenko champions high and low viewpoints and a dynamic, documentary-precise view of the world.

  4. 1928

    First accused of formalism

    The charge of “formalism” that would dog Rodchenko is first raised in 1928 in the pages of Sovetskoe Foto. By some accounts, that same year he joins the October group.

  5. 1928

    Polemical articles in Novy LEF

    Novy LEF publishes his articles “Gross Illiteracy or Petty Filth?” (No. 6) and “A Warning” (No. 11). In the first, as in the articles “The Paths of Modern Photography” and “Against the Synthetic Portrait, for the Snapshot”, he champions a dynamic, documentary-precise vision and shooting from high and low viewpoints.

  6. 18 May 1929 – 7 July 1929

    Took part in: Film und Foto

More by Aleksandr Rodchenko

All works
Красное и желтое, Aleksandr Rodchenko, 1918 (?)

Красное и желтое

1918 (?) · State Russian Museum

Spatial Construction no. 12, Aleksandr Rodchenko, c. 1920

Spatial Construction no. 12

c. 1920 · The Museum of Modern Art

Белый круг (Композиция №76), Aleksandr Rodchenko, 1918

Белый круг (Композиция №76)

1918 · State Russian Museum

Non-Objective Painting no. 80 (Black on Black), Aleksandr Rodchenko, 1918

Non-Objective Painting no. 80 (Black on Black)

1918 · Not on view · The Museum of Modern Art

Untitled, Aleksandr Rodchenko, 1919

Untitled

1919 · Not on view · National Gallery of Art

Non-Objective Painting, Aleksandr Rodchenko, 1919

Non-Objective Painting

1919 · Not on view · The Museum of Modern Art

Toft, Aleksandr Rodchenko, 1919

Toft

1919 · Not on view · The Museum of Modern Art

Composition, Aleksandr Rodchenko, 1919

Composition

1919 · Not on view · The Museum of Modern Art

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34