
Honoré DaumierFrench, 1808–1879Echtpaar rust uit in het bos
Can I see it?
Unknown
Where is “Echtpaar rust uit in het bos” now? Collection: Rijksmuseum, Amsterdam. Unknown.
Amsterdam, Netherlands
The owner is known; whether it is on view today is not.
- Source
- The museum
About the work
Museum text in Dutch
De man en zijn vrouw hebben last van de warmte en van de hagedissen in het bos.
Rijksmuseum
Details
- Accession number
- RP-P-1971-299
What it shows
In the catalog
Sources
- Rijksmuseum
- Image: Rijksmuseum — public domain
In the life of Honoré Daumier
The whole lifemid-1840s
The Series "Les Gens de Justice"
Around the mid-1840s Daumier began publishing his famous caricatures of lawyers, "Les Gens de Justice," a biting satire of judges, attorneys, and defendants that eventually comprised 39 subjects.
1846
Move to the Île Saint-Louis; Meeting Baudelaire
In 1846 the couple moved to 9 Quai d'Anjou on the Île Saint-Louis, where they lived until 1863. Writers and artists gathered at the nearby Hôtel de Lauzun; there Daumier met Baudelaire, who became his close friend and champion, and grew close to Corot, Courbet, Delacroix, Millet, and Rousseau.
16 April 1846
Marriage to Alexandrine Dassy
On 16 April 1846 Daumier married Alexandrine Dassy.
1848
Sketch "The Republic" Among Competition Finalists
On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.
1848
Albums on the Revolution of 1848
The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.
1849
First Participation in the Salon
In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.






















