Echtpaar rust uit in het bos, Honoré Daumier, 1847
Honoré Daumier, portraitHonoré DaumierFrench, 1808–1879

Echtpaar rust uit in het bos

1847 · cartoon

Can I see it?

Unknown

Where is “Echtpaar rust uit in het bos” now? Collection: Rijksmuseum, Amsterdam. Unknown.

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum

About the work

Museum text in Dutch

De man en zijn vrouw hebben last van de warmte en van de hagedissen in het bos.

Rijksmuseum

Details

Accession number
RP-P-1971-299

What it shows

In the catalog

Sources

In the life of Honoré Daumier

The whole life
  1. mid-1840s

    The Series "Les Gens de Justice"

    Around the mid-1840s Daumier began publishing his famous caricatures of lawyers, "Les Gens de Justice," a biting satire of judges, attorneys, and defendants that eventually comprised 39 subjects.

  2. 1846

    Move to the Île Saint-Louis; Meeting Baudelaire

    In 1846 the couple moved to 9 Quai d'Anjou on the Île Saint-Louis, where they lived until 1863. Writers and artists gathered at the nearby Hôtel de Lauzun; there Daumier met Baudelaire, who became his close friend and champion, and grew close to Corot, Courbet, Delacroix, Millet, and Rousseau.

  3. 16 April 1846

    Marriage to Alexandrine Dassy

    On 16 April 1846 Daumier married Alexandrine Dassy.

  4. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  5. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  6. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

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