
May one see it?
Minneapolis, United States
It belongs to the collection, but is not on display at present.
In the sixteenth century, Nagasaki, in far southwestern Japan, was transformed from a remote fishing village into a bustling harbor city frequented by Portuguese, Chinese, and Southeast Asian visitors. A century later, the Tokugawa shogunate designated Nagasaki as one of Japan’s only official international ports. This painting portrays a group of Dutchmen carrying cargo into a walled compound at Dejima, a fan-shaped, artificial island in Nagasaki Bay that served as a trading post reserved for use by Dutch traders until the mid-nineteenth century.
Minneapolis Institute of Art