Alphonse MuchaCzech, 1860–1939Documents Decoratifs: Plate 38
May one see it?
Not receiving at present
The Cleveland Museum of Art
Cleveland, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 1969.237
In the catalog
Sources
- The Cleveland Museum of Art
- Image: The Cleveland Museum of Art — Museum open access
Meanwhile, in the life of Alphonse Mucha
The whole life1890s
Advertising posters for champagne, biscuits and bicycles
The success of the Bernhardt posters brought him commissions for advertising posters: JOB cigarette papers, Ruinart and Moët & Chandon champagne, Lefèvre-Utile biscuits, Nestlé baby food, Idéal Chocolate, La Trappistine brandy, and Waverly and Perfect bicycles. His posters showed almost entirely beautiful women in lavish settings, their hair curling in arabesques.
20 December 1899
“Le Pater” is published
Wishing to be recognised as a serious artist and philosopher, he gave a pictorial expression to every line of the Lord’s Prayer in a book published by Henri Piazza in an edition of only 510 copies; he considered it his printed masterpiece and said he had put his soul into it. The original watercolours were shown in the Austrian pavilion at the 1900 Exposition Universelle.
c. 1899 – 1900
A trip to the Balkans for sketches
As soon as the project was accepted, Mucha left for the Balkans to sketch costumes, ceremonies and architecture, which he put into his work for the pavilion.
1900
Exhibition: Exposition Universelle of 1900
1900
Sarah Bernhardt defends his Czech origins
His foreign name caused much speculation in the French press, which distressed him; Sarah Bernhardt declared in La France that Mucha was a Czech from Moravia not only by birth and origin but also by feeling, conviction and patriotism.
1902
“Documents décoratifs” is published
The Central Library of Fine Arts published his book of seventy-two watercolour plates with designs for brooches and other pieces, with arabesques, vegetal forms and incrustations of enamel and coloured stones, showing how floral and natural forms could be used in decoration.
