Dancers in the Rehearsal Room with a Double Bass

autumn 1879 – April 1880

The prints journal: Degas abruptly withdraws

In the autumn and winter of 1879–1880 Degas and Cassatt worked closely together on a prints journal; he owned a small printing press. In April 1880 Degas abruptly withdrew, and without his support the project folded.

by 1880

The end of his financial crisis

By 1880 Degas had fully overcome his financial crisis and become a respected figure in the Paris art world; the Impressionist exhibitions, which proved commercially useful to him, helped.

1881

“The Little Dancer of Fourteen Years” on show

The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

1881

The pastels “Criminal Physiognomies”

Degas attended the trial of the young gang members convicted of murder in the Abadie affair, sketchbook in hand, and in 1881 exhibited two pastels, “Criminal Physiognomies”. The drawings reveal his interest in features that some nineteenth-century scientists took as evidence of innate criminality.

by 1882

His eyesight sharply worsens

By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.