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  3. Дали
Дали, Mikhail Nesterov, 1900s
Mikhail Nesterov, portraitMikhail Nesterov1862–1942

Дали

1900s · Painting · 16 × 23 cm

May one see it?

Unknown

State Russian Museum

Saint Petersburg, Russia

The owner is known; whether it is on view today is not.

In this state since
Sep 28, 2026
Source
The museum
On the mapMuseum page

Particulars

1900s
18621942
Accession number
Ж-9870

Meanwhile, in the life of Mikhail Nesterov

The whole life
  1. 1890s

    Studies Byzantine art

    To master monumental painting, new to him, Nesterov travelled to Rome, Palermo, Constantinople and Ravenna, where he could study the traditions of Byzantine art (other accounts name Rome and Istanbul).

  2. 1898

    Made Academician for “The Great Tonsure”

    “The Great Tonsure” (1897–1898), a young girl led by nuns to take the veil at a forest Old Believer hermitage, was warmly received by the public, and for it Nesterov was made an Academician of painting; in 1910 he became a Full Member of the Academy of Arts.

  3. 1898–1902

    Life with Yulia Urusman

    From 1898 until his second marriage in 1902 Nesterov was together with Yulia Nikolaevna Urusman (1877–1962). In these years the artist's daughter Vera (1899–1998) and sons Mikhail (1901–1921) and Fyodor, who lived from 23 February to 7 July 1902, were born.

  4. 1898–1904

    Decorates the church at Abastumani

    At the invitation of Tsesarevich George Alexandrovich, younger brother of Nicholas II, Nesterov decorated the palace church of St Alexander Nevsky at Abastumani, personally executing more than 50 compositions on the walls and iconostasis, yet he was dissatisfied with the result. By contrast, he refused to paint the Orthodox cathedral in Warsaw, unwilling to serve as “propaganda” for Russification in a Polish city.

  5. 1901

    Journey to the Solovetsky Monastery

More by Mikhail Nesterov

All works

Neighbors at State Russian Museum

Museum page

On the same theme · The Clouds

All works on the theme

Seeking a deeper knowledge of the spiritual world of Russian monasteries, and material for his planned “Holy Rus”, Nesterov travelled to Solovki on the White Sea. The North and its monks inspired “Silence”, “The Little Fox”, “Quiet Life”, “The Solovetsky Cloister” and “Dreamers”.

  • 1902

    Marries Ekaterina Vasilyeva

    In spring 1902 Nesterov exhibited in Kiev his programmatic painting “Holy Rus” (“Come unto Me, all ye that labour and are heavy laden…”), finished in rough — Christ surrounded by saints and by pilgrims, the people's Russia. Ekaterina Petrovna Vasilyeva, who came to see it, became his wife a few months later — an acquaintance that proved a turning point in his life.

  • What it shows

    The Clouds

    In the catalog

    PaintingsOilRussian paintingSoviet paintingImpressionismModernism20th century

    Sources

    • State Russian Museum
    • Image: State Russian Museum — © State Russian Museum
    Великий постриг, Mikhail Nesterov, 1898

    Великий постриг

    1898 · State Russian Museum

    Преподобный Сергий Радонежский, Mikhail Nesterov, 1899

    Преподобный Сергий Радонежский

    1899 · State Russian Museum

    Святая Русь, Mikhail Nesterov, 1905

    Святая Русь

    1905 · State Russian Museum

    Портрет О. М. Нестеровой («Амазонка»), Mikhail Nesterov, 1906

    Портрет О. М. Нестеровой («Амазонка»)

    1906 · State Russian Museum

    Автопортрет, Mikhail Nesterov, 1915

    Автопортрет

    1915 · State Russian Museum

    Пейзаж, Mikhail Nesterov, 1917

    Пейзаж

    1917 · State Russian Museum

    Лесной пейзаж, Mikhail Nesterov, 1920s

    Лесной пейзаж

    1920s · State Russian Museum

    Лель (Весна), Mikhail Nesterov, 1933

    Лель (Весна)

    1933 · State Russian Museum

    Два овала, Vasily Kandinsky, 1919

    Vasily Kandinsky

    Два овала, 1919

    Синий гребень, Vasily Kandinsky, 1917

    Vasily Kandinsky

    Синий гребень, 1917

    Импровизация 11, Vasily Kandinsky, 1910

    Vasily Kandinsky

    Импровизация 11, 1910

    Reply of the Zaporozhian Cossacks, Ilya Repin, 1880–1891

    Ilya Repin

    Reply of the Zaporozhian Cossacks, 1880–1891

    Автопортрет (Художник), Kazimir Malevich, 1933

    Kazimir Malevich

    Автопортрет (Художник), 1933

    Red Cavalry Riding, Kazimir Malevich, c. 1932

    Kazimir Malevich

    Red Cavalry Riding, c. 1932

    На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

    Kazimir Malevich

    На жатву (Марфа и Ванька), 1928-1929

    Черный квадрат, Kazimir Malevich, c. 1923

    Kazimir Malevich

    Черный квадрат, c. 1923

    Бриг «Меркурий» после победы над двумя турецкими судами встречается с русской эскадрой, Ivan Aivazovsky, 1848

    Ivan Aivazovsky

    Бриг «Меркурий» после победы над двумя турецкими судами встречается с русской эскадрой, 1848

    State Russian Museum

    Буря, Ivan Aivazovsky, 1851

    Ivan Aivazovsky

    Буря, 1851

    State Russian Museum

    Облака над морем. Штиль, Ivan Aivazovsky, 1889

    Ivan Aivazovsky

    Облака над морем. Штиль, 1889

    State Russian Museum

    Вид в Крыму при закате солнца, Ivan Aivazovsky, 1862

    Ivan Aivazovsky

    Вид в Крыму при закате солнца, 1862

    State Russian Museum

    Ветряная мельница на берегу моря, Ivan Aivazovsky, 1837

    Ivan Aivazovsky

    Ветряная мельница на берегу моря, 1837

    State Russian Museum

    Корабли в бурном море. Восход солнца, Ivan Aivazovsky, 1871

    Ivan Aivazovsky

    Корабли в бурном море. Восход солнца, 1871

    State Russian Museum

    The Ninth Wave, Ivan Aivazovsky, 1850

    Ivan Aivazovsky

    The Ninth Wave, 1850

    State Russian Museum

    Большой рейд в Кронштадте, Ivan Aivazovsky, 1836

    Ivan Aivazovsky

    Большой рейд в Кронштадте, 1836

    State Russian Museum