Cornard Wood, Thomas Gainsborough, 1748
Thomas Gainsborough, portraitThomas GainsboroughBritish, 1727–1788

Cornard Wood

1748 · Painting · 122 × 155 cm

Can I see it?

Unknown

Where is “Cornard Wood” now? Collection: The National Gallery, London. Unknown.

The National Gallery

London, United Kingdom

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the painting

Cornard Wood, near Sudbury, Suffolk is an oil on canvas landscape painting by English artist Thomas Gainsborough, from 1748. It is held in the National Gallery, in London, which bought it in 1875.

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Details

Accession number
NG925

In the catalog

Sources

  • Wikidata
  • Image: The National Gallery — Thomas Gainsborough · Public domain · Wikimedia Commons

In the life of Thomas Gainsborough

The whole life
  1. 1740s

    Making a living in London: landscapes, restoration, prints

    Landscapes interest the young man most — plant sketches from the 1740s survive. He earns his living with landscapes on commission, touches up old paintings, assists the engraver John Boydell, and helps Francis Hayman decorate the supper boxes in Vauxhall Gardens.

  2. 15 July 1746

    Marriage to Margaret Burr

    On 15 July 1746 Gainsborough marries Margaret Burr, an illegitimate daughter of the Duke of Beaufort.

  3. 1748

    His father dies; back to Sudbury

    Gainsborough's father, John, dies in 1748. With no new commissions coming in London, the painter returns to Sudbury, to the house of his childhood.

  4. c. 1749

    Landscapes do not pay: a turn to portraiture

    Gainsborough has always thought of himself as a landscape painter, but landscapes bring no income: in the England of the day they count as a “low genre”. Around 1749 he unites portrait and landscape in one composition for the first time, in “Mr and Mrs Andrews”.

  5. 31 January 1750

    Daughter born: Mary Gainsborough Fischer

  6. 1750s

    Portraits pay the bills: the example of Hogarth

    Gainsborough's main income comes from portraits; in this genre he tries to follow Hogarth, caring more about likeness than about conveying the sitter's social standing. Around 1753, probably, he receives a flattering commission for a portrait of Admiral Vernon, and he paints many members of his own family — for example a self-portrait of 1754 in a tricorn hat.

All works

From the collection of The National Gallery

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