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  3. Caryatid
Caryatid, Amedeo Modigliani, 1914
Amedeo Modigliani, portraitAmedeo ModiglianiItalian, 1884–1920

Caryatid

1914 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1914 · aged 30
18841920
Accession number
439.1974

In the catalog

Drawings & watercolorsGouacheModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Amedeo Modigliani

The whole life
  1. 1912

    Sculpted heads at the Salon d’Automne

    In 1912 Modigliani shows seven sculpted heads at the Salon d’Automne, and some of them are even bought. There he meets the sculptors Jacob Epstein and Jacques Lipchitz.

  2. by 1914

    Gives up sculpture for painting

    By 1914 Modigliani abandons sculpting and focuses solely on painting, a move precipitated by the difficulty of acquiring sculptural materials once the war breaks out, and by his physical debilitation.

  3. 1914

    Paul Guillaume replaces Paul Alexandre

    Paul Alexandre, called up into the army, terminates his contract with the artist, and Modigliani’s new patron becomes the gallery owner and collector Paul Guillaume, who exhibits his work in his gallery.

  4. from 1914

    Drink, drugs and the advance of tuberculosis

    From about 1914 Modigliani’s use of drink and drugs intensifies; after years of remission and recurrence the symptoms of his tuberculosis worsen, signalling that the disease has reached an advanced stage.

  5. June 1914

    Beatrice Hastings

    Modigliani meets the talented and eccentric Englishwoman Beatrice Hastings, a poet and columnist for The New Age, who becomes his companion, muse and favourite model: he devotes 14 portraits to her. The relationship lasts about two years.

  6. 1916

    Léopold Zborowski, friend and dealer

    Modigliani befriends the Polish poet and art dealer Léopold Zborowski and his wife Anna; in the artist’s final years Zborowski is his primary dealer and friend. He lends Modigliani his apartment, supplies models and painting materials, and pays him between fifteen and twenty francs a day.

More by Amedeo Modigliani

All works
Little Servant Girl, Amedeo Modigliani, c. 1916

Little Servant Girl

c. 1916 · Minneapolis Institute of Art

Head of a Woman, Amedeo Modigliani, c.1911-1912

Head of a Woman

c.1911-1912 · National Gallery of Art

Monsieur Deleu, Amedeo Modigliani, 1916

Monsieur Deleu

1916 · National Gallery of Art

Léon Bakst, Amedeo Modigliani, 1917

Léon Bakst

1917 · National Gallery of Art

Café Singer, Amedeo Modigliani, 1917

Café Singer

1917 · National Gallery of Art

Nude on a Blue Cushion, Amedeo Modigliani, 1917

Nude on a Blue Cushion

1917 · National Gallery of Art

Adrienne (Woman with Bangs), Amedeo Modigliani, 1917

Adrienne (Woman with Bangs)

1917 · National Gallery of Art

Madame Kisling, Amedeo Modigliani, c. 1917

Madame Kisling

c. 1917 · National Gallery of Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950