Bocskay Tér, Budapest, André Kertész, 1914
André Kertész, portraitAndré KertészAmerican, 1894–1985

Bocskay Tér, Budapest

1914 · Photograph · 18.73 × 24.61 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Particulars

Accession number
82.132.3

In the catalog

Sources

Meanwhile, in the life of André Kertész

The whole life
  1. 1912

    Buys his first camera despite his family’s protests

    After earning enough money he quickly buys his first camera, an ICA box camera, despite his family’s protests that he should continue his career in business. In his free time he photographs the local peasants, Romani people and the landscape of the Hungarian Plains (the puszta); his first photograph is believed to be Sleeping Boy, Budapest, 1912. First encounters with magazine photography inspire him to learn the craft, and he is also influenced by paintings by Lajos Tihanyi and Gyula Zilzer and by poetry.

  2. 1912

    The Academy of Commerce and a job at the stock exchange

    His uncle Hoffmann pays for his business classes at the Academy of Commerce until his graduation in 1912 and soon arranges his hiring by the stock exchange. Unlike his older brother Imre, who works at the exchange in Budapest all his life, Kertész has little interest in the field; he is drawn to illustrated magazines and to fishing and swimming in the Danube near his uncle’s property.

  3. 1914

    At the front: trench life on a Goerz Tenax

    At the age of 20 he is sent to the frontline of the First World War, where he photographs life in the trenches with a lightweight Goerz Tenax camera; most of these photographs are destroyed during the violence of the Hungarian Revolution of 1919. His distinctive, mature style is already evident in work of 1914 such as Eugene.

  4. 1915

    Wounded, then convalescing in Esztergom

    He is wounded by a bullet and suffers temporary paralysis of his left arm; sent to convalesce in a military hospital in Budapest, he is later transferred to Esztergom, where he continues to take photographs, including a self-portrait for a competition in the magazine Borsszem Jankó. He does not heal soon enough to return to combat.

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