A Squall in Hyde Park, Thomas Rowlandson, 18th century
Thomas Rowlandson, portraitThomas RowlandsonBritish, 1756–1827

A Squall in Hyde Park

18th century · Print · 33.97 × 45.72 cm

Can I see it?

Not on view at present

Where is “A Squall in Hyde Park” now? Collection: Minneapolis Institute of Art, Minneapolis. Not on view at present. Checked September 29, 2026.

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
P.16, 968

In the catalog

Sources

In the life of Thomas Rowlandson

The whole life
  1. 13 July 1757

    Born in the City of London

    He was born in Old Jewry, in the City of London, to William and Mary Rowlandson, and was baptised on 23 July 1757 at St Mary Colechurch. His father, a weaver, had moved into trading supplies for the textile industry; the birth date of 13 July 1757 comes from the baptismal record, whereas most earlier biographies give 1756.

  2. 1772

    Becomes a student at the Royal Academy

    On leaving school in 1772 he became a student at the Royal Academy. He studied there for six years, but about a third of that time was spent in Paris.

  3. 1772–1774

    Sent to study in Paris

    At sixteen he was sent to Paris, where for two years he studied in a “drawing academy”, drawing the human figure and developing his youthful skill in caricature; he may have studied under Jean-Baptiste Pigalle. On his return to London he took classes at the Royal Academy, then based at Somerset House, and later made frequent tours of the Continent, filling his portfolios with sketches of life and character.

  4. 1774 · Workplace

    Paris

  5. 1775

    Exhibits “Dalilah Payeth Sampson a Visit while in Prison at Gaza”

    In 1775 he showed at the Royal Academy a drawing, “Dalilah Payeth Sampson a Visit while in Prison at Gaza” (described elsewhere as a painting made that year); he began to be spoken of as a promising student.

  6. 1784

    “Vauxhall” at the Royal Academy

    His drawing of Vauxhall, shown at the Royal Academy exhibition of 1784, was engraved by Pollard, and the print was a success. His scenes of London street life, such as the Vauxhall pleasure gardens with their jostling soldiers, students, tarts and society beauties, are counted among his finest works.

All works

On view at Minneapolis Institute of Art

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