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  1. Collection/
  2. National Gallery of Art/
  3. A Scene from The Beggar's Opera
A Scene from The Beggar's Opera, William Hogarth, 1728/1729
William Hogarth, portraitWilliam HogarthEnglish, 1697–1764

A Scene from The Beggar's Opera

1728/1729 · Painting

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

1728/1729
16971764
Accession number
1983.1.42

What it shows

OccupationTheaterBeggar's Opera

In the catalog

PaintingsOilBritish paintingRococo18th centuryBritish

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access

Meanwhile, in the life of William Hogarth

The whole life
  1. 1712–1764 · Workplace

    London

  2. 1727 – 28 May 1728

    A lawsuit against the weaver Morris: “an engraver, and no painter”

    In 1727 the tapestry worker Joshua Morris commissioned from Hogarth a design for “The Element of Earth”, but on hearing that he was “an engraver, and no painter” refused the finished work. Hogarth sued him in the Westminster court and won: judgment was given in his favour on 28 May 1728.

  3. until 1728

    Initiated as a Freemason

    Before 1728 Hogarth was initiated as a Freemason in the lodge at the Hand and Apple Tree Tavern in Little Queen Street, and later belonged to the Carrier Stone Lodge and the Grand Stewards’ Lodge; for the latter he designed the “Hogarth Jewel”, the badge of the Lodge’s Master (the original is now in storage and a replica is worn by the present Master). Freemasonry is also a theme of “Night”, the fourth print of the “Four Times of the Day”.

  4. 23 March 1729

    A secret wedding to Jane Thornhill

    Not hoping for Sir James’s consent — he saw the match as unequal, Hogarth being a rather obscure artist then — William and Jane married in secret at Paddington Church. Jane and her mother helped to reconcile him with his father-in-law: they hung the first paintings of “A Harlot’s Progress” in his house, and on learning the artist’s name Sir James admitted that a man who could produce such pictures could also keep a wife without a dowry.

More by William Hogarth

All works
The Sleeping Congregation, William Hogarth, 1728

The Sleeping Congregation

1728 · Minneapolis Institute of Art

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729

The Wedding of Stephen Beckingham and Mary Cox

1729 · The Metropolitan Museum of Art

Before, William Hogarth, 1730–1731

Before

1730–1731 · J. Paul Getty Museum

After, William Hogarth, 1730–1731

After

1730–1731 · J. Paul Getty Museum

William Hogarth's Business Card, Samuel Ireland after William Hogarth

William Hogarth's Business Card

Not on view · National Gallery of Art

Taste in high life, William Hogarth

Taste in high life

Albertina

Le Roué à Oxford dit autrefois Débat sur la chiromancie, Hogarth, William, XVIIIe siècle (1700 - 1800)

Le Roué à Oxford dit autrefois Débat sur la chiromancie

18th century (1700–1800) · Not on view · Musée du Louvre

Lavinia Fenton, Duchess of Bolton, William Hogarth, 18th century

Lavinia Fenton, Duchess of Bolton

18th century · The National Gallery

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · Occupation

All works on the theme
Old Man Carrying a Basket, Facing Right, Vincent van Gogh, 1882

Vincent van Gogh

Old Man Carrying a Basket, Facing Right, 1882

Not on view · National Gallery of Art

Man Polishing a Boot, Vincent van Gogh, 1882

Vincent van Gogh

Man Polishing a Boot, 1882

Not on view · National Gallery of Art

Postcard with Two Peasants Digging, Vincent van Gogh, 1885

Vincent van Gogh

Postcard with Two Peasants Digging, 1885

Not on view · National Gallery of Art

Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), Pablo Picasso, 1933

Pablo Picasso

Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), 1933

Not on view · National Gallery of Art

Nude in the Studio, Pablo Picasso, 1936/1937

Pablo Picasso

Nude in the Studio, 1936/1937

Not on view · National Gallery of Art

Family of Saltimbanques, Pablo Picasso, 1905

Pablo Picasso

Family of Saltimbanques, 1905

National Gallery of Art

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

Pablo Picasso

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

Not on view · National Gallery of Art

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

Pablo Picasso

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

Not on view · National Gallery of Art