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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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  • Radierung114.143
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Fable VI. The Miser and Plutus, William Blake, 1793William BlakeFable VI. The Miser and Plutus1793Yale Center for British Art
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56), William Blake, 1804 to 1820William Blake"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)1804 to 1820Yale Center for British Art
"To the Christians..." (Plate 77), William Blake, 1804 to 1820William Blake"To the Christians..." (Plate 77)1804 to 1820Yale Center for British Art
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale Center for British Art
'Death! great proprietor of all! 'tis thine' (Page 8), William Blake, 1797William Blake'Death! great proprietor of all! 'tis thine' (Page 8)1797Yale Center for British Art
Water (Plate 4), William Blake, 1793William BlakeWater (Plate 4)1793Yale Center for British Art
"To decide Two Worlds with a great decision..." (Plate 65), William Blake, 1804 to 1820William Blake"To decide Two Worlds with a great decision..." (Plate 65)1804 to 1820Yale Center for British Art
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)1797Yale Center for British Art
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Yale Center for British Art
Night (Plate 30), William Blake, 1789William BlakeNight (Plate 30)1789Yale Center for British Art
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Yale Center for British Art
Infant Joy (Plate 28), William Blake, 1789William BlakeInfant Joy (Plate 28)1789Yale Center for British Art
Love Songs, Class IV. Tailpiece, William Blake, 1783William BlakeLove Songs, Class IV. Tailpiece1783Yale Center for British Art
Urizen (Plate 8), William Blake, 1794William BlakeUrizen (Plate 8)1794Yale Center for British Art
"And the Two that escaped..." (Plate 30), William Blake, 1804 to 1820William Blake"And the Two that escaped..." (Plate 30)1804 to 1820Yale Center for British Art
"To the Jews..." (Plate 27), William Blake, 1804 to 1820William Blake"To the Jews..." (Plate 27)1804 to 1820Yale Center for British Art
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, ca. 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)ca. 1797Yale Center for British Art
"Fear & hope are -- Vision" (Plate 15), William Blake, 1826William Blake"Fear & hope are -- Vision" (Plate 15)1826Yale Center for British Art
The Shepherd (Plate 4), William Blake, 1789William BlakeThe Shepherd (Plate 4)1789Yale Center for British Art
"They call'd her Pity, and fled..." (Plate 17), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 17)1794Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake, ca. 1797William Blake'Behold him, when past by; what then is seen' (Page 25)ca. 1797Yale Center for British Art
"Bath who is Legions..." (Plate 41), William Blake, 1804 to 1820William Blake"Bath who is Legions..." (Plate 41)1804 to 1820Yale Center for British Art
I. "Man cannot naturally Percieve..."(Plate 3), William Blake, ca. 1788William BlakeI. "Man cannot naturally Percieve..."(Plate 3)ca. 1788Yale Center for British Art
The Clod & the Pebble (Plate 36), William Blake, 1794William BlakeThe Clod & the Pebble (Plate 36)1794Yale Center for British Art
William Cowper, Author of "The Task", William Blake, 1802William BlakeWilliam Cowper, Author of "The Task"1802Yale Center for British Art
Canto IV. Verse 328, William Blake, 1803William BlakeCanto IV. Verse 3281803Yale Center for British Art
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2), William Blake, 1804 to 1820William BlakeJerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)1804 to 1820Yale Center for British Art
"The Ox in the slaughter house moans..." (Plate 23), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 23)1794Yale Center for British Art
'As if the sun could envy, check'd his beam' (Page 49), William Blake, ca. 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)ca. 1797Yale Center for British Art
Mrs Cowper Mother of the Poet, William Blake, 1803-1804William BlakeMrs Cowper Mother of the Poet1803-1804Yale Center for British Art
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, ca. 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)ca. 1797Yale Center for British Art
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16), William Blake, 1804 to 1820William Blake"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)1804 to 1820Yale Center for British Art
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 13)1794Yale Center for British Art
"In Great Eternity every particular Form..." (Plate 54), William Blake, 1804 to 1820William Blake"In Great Eternity every particular Form..." (Plate 54)1804 to 1820Yale Center for British Art
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Yale Center for British Art
"And One stood forth from the Divine Family..." (Plate 37), William Blake, 1804 to 1820William Blake"And One stood forth from the Divine Family..." (Plate 37)1804 to 1820Yale Center for British Art
The Horse, William Blake, 1805William BlakeThe Horse1805Yale Center for British Art
"Bath, healing City!..." (Plate 45), William Blake, 1804 to 1820William Blake"Bath, healing City!..." (Plate 45)1804 to 1820Yale Center for British Art
Visions of the Daughters of Albion; Title Page (Plate 2), William Blake, 1793William BlakeVisions of the Daughters of Albion; Title Page (Plate 2)1793Yale Center for British Art
"And Hand & Hyle rooted into Jerusalem..." (Plate 15), William Blake, 1804 to 1820William Blake"And Hand & Hyle rooted into Jerusalem..." (Plate 15)1804 to 1820Yale Center for British Art
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25), William Blake, 1804 to 1820William Blake"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)1804 to 1820Yale Center for British Art
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96), William Blake, 1804 to 1820William Blake"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)1804 to 1820Yale Center for British Art
"Albion cold lays on his Rock..." (Plate 94), William Blake, 1804 to 1820William Blake"Albion cold lays on his Rock..." (Plate 94)1804 to 1820Yale Center for British Art
Chapter IV, "From the caverns of his jointed spine..." (Plate 10), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 10)1794Yale Center for British Art
'Time, in advance, behind him hides his wings' (Page 24), William Blake, 1797William Blake'Time, in advance, behind him hides his wings' (Page 24)1797Yale Center for British Art
"The Feminine separates from the Masculine..." (Plate 90), William Blake, 1804 to 1820William Blake"The Feminine separates from the Masculine..." (Plate 90)1804 to 1820Yale Center for British Art
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Yale Center for British Art
"Of the Mundane Shell which froze..." (Plate 64), William Blake, 1804 to 1820William Blake"Of the Mundane Shell which froze..." (Plate 64)1804 to 1820Yale Center for British Art
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