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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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114.143 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

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  • Radierung114.143
  • Lithografie84.657
  • Kupferstich55.555
  • Holzschnitt49.710
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  • Aquatinta7.310
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  • Linolschnitt2.652
"Repose on me till the morning of the Grave..." (Plate 62), William Blake, 1804 to 1820William Blake"Repose on me till the morning of the Grave..." (Plate 62)1804 to 1820Yale Center for British Art
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50), William Blake, 1804 to 1820William Blake"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)1804 to 1820Yale Center for British Art
"And formed into Four precious stones..." (Plate 59), William Blake, 1804 to 1820William Blake"And formed into Four precious stones..." (Plate 59)1804 to 1820Yale Center for British Art
Songs of Experience, Frontispiece (Plate 32), William Blake, 1794William BlakeSongs of Experience, Frontispiece (Plate 32)1794Yale Center for British Art
"These were his last words, and the merciful Saviour in his arms..." (Plate 48), William Blake, 1804 to 1820William Blake"These were his last words, and the merciful Saviour in his arms..." (Plate 48)1804 to 1820Yale Center for British Art
'Disease invades the chastest temperence' (Page 10), William Blake, ca. 1797William Blake'Disease invades the chastest temperence' (Page 10)ca. 1797Yale Center for British Art
The Little Girl Found (Plate 6), William Blake, 1789William BlakeThe Little Girl Found (Plate 6)1789Yale Center for British Art
'Trembling each gulp, lest death should snatch the bowl' (Page 57), William Blake, 1797William Blake'Trembling each gulp, lest death should snatch the bowl' (Page 57)1797Yale Center for British Art
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52), William Blake, 1804 to 1820William Blake"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)1804 to 1820Yale Center for British Art
Night the First. On Life, Death, and Immortality; Title Page, William Blake, 1797William BlakeNight the First. On Life, Death, and Immortality; Title Page1797Yale Center for British Art
"Reuben return'd to his place, in vain..." (Plate 36), William Blake, 1804 to 1820William Blake"Reuben return'd to his place, in vain..." (Plate 36)1804 to 1820Yale Center for British Art
"The clouds of Albions Druid Temples..." (Plate 60), William Blake, 1804 to 1820William Blake"The clouds of Albions Druid Temples..." (Plate 60)1804 to 1820Yale Center for British Art
"My tents are fall'n! my pillars are in ruins!..." (Plate 79), William Blake, 1804 to 1820William Blake"My tents are fall'n! my pillars are in ruins!..." (Plate 79)1804 to 1820Yale Center for British Art
"The banks of the Thames are clouded..." (Plate 5), William Blake, 1804 to 1820William Blake"The banks of the Thames are clouded..." (Plate 5)1804 to 1820Yale Center for British Art
Chapter V, "The globe of life blood trembled..." (Plate 15), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 15)1794Yale Center for British Art
IV. "None could have other than natural or organic thoughts..." (Plate 6), William Blake, ca. 1788William BlakeIV. "None could have other than natural or organic thoughts..." (Plate 6)ca. 1788Yale Center for British Art
Fable XIII. The Tame Stag, William Blake, 1793William BlakeFable XIII. The Tame Stag1793Yale Center for British Art
'Oft bursts my song beyond the bounds of life' (Page 16), William Blake, 1797William Blake'Oft bursts my song beyond the bounds of life' (Page 16)1797Yale Center for British Art
Songs of Innocence, Frontispiece (Plate 1), William Blake, 1789William BlakeSongs of Innocence, Frontispiece (Plate 1)1789Yale Center for British Art
The Lamb (Plate 8), William Blake, 1789William BlakeThe Lamb (Plate 8)1789Yale Center for British Art
For Children. The Gates of Paradise; Title Page (Plate 2), William Blake, 1793William BlakeFor Children. The Gates of Paradise; Title Page (Plate 2)1793Yale Center for British Art
"They call'd her Pity, and fled..." (Plate 19), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 19)1794Yale Center for British Art
"Then all the Males conjoined into One Male..." (Plate 69), William Blake, 1804 to 1820William Blake"Then all the Males conjoined into One Male..." (Plate 69)1804 to 1820Yale Center for British Art
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)1797Yale Center for British Art
'But for the blessing wrestle not with heaven' (Page 88), William Blake, 1797William Blake'But for the blessing wrestle not with heaven' (Page 88)1797Yale Center for British Art
Earth's Answer (Plate 35), William Blake, 1794William BlakeEarth's Answer (Plate 35)1794Yale Center for British Art
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Yale Center for British Art
Rev. John Caspar Lavater, William Blake, 1800William BlakeRev. John Caspar Lavater1800Yale Center for British Art
'Angels should paint it, angels ever there' (Page 40), William Blake, ca. 1797William Blake'Angels should paint it, angels ever there' (Page 40)ca. 1797Yale Center for British Art
"O Skofield why art thou cruel?..." (Plate 68), William Blake, 1804 to 1820William Blake"O Skofield why art thou cruel?..." (Plate 68)1804 to 1820Yale Center for British Art
"I have mock'd those who refused cruelty..." (Plate 81), William Blake, 1804 to 1820William Blake"I have mock'd those who refused cruelty..." (Plate 81)1804 to 1820Yale Center for British Art
"I see thy Form O lovely mild Jerusalem..." (Plate 86), William Blake, 1804 to 1820William Blake"I see thy Form O lovely mild Jerusalem..." (Plate 86)1804 to 1820Yale Center for British Art
"One hair nor particle of dust..." (Plate 14), William Blake, 1804 to 1820William Blake"One hair nor particle of dust..." (Plate 14)1804 to 1820Yale Center for British Art
Air (Plate 6), William Blake, 1826William BlakeAir (Plate 6)1826Yale Center for British Art
"They saw their Wheels rising up poisonous..." (Plate 43), William Blake, 1804 to 1820William Blake"They saw their Wheels rising up poisonous..." (Plate 43)1804 to 1820Yale Center for British Art
The Lamb (Plate 18), William Blake, 1789William BlakeThe Lamb (Plate 18)1789Yale Center for British Art
"Such are Cathedrons golden Halls..." (Plate 73), William Blake, 1804 to 1820William Blake"Such are Cathedrons golden Halls..." (Plate 73)1804 to 1820Yale Center for British Art
Urizen (Plate 22), William Blake, 1794William BlakeUrizen (Plate 22)1794Yale Center for British Art
Spring (Plate 12), William Blake, 1789William BlakeSpring (Plate 12)1789Yale Center for British Art
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Yale Center for British Art
The Different Kinds of Wrestling, William Blake, 1800William BlakeThe Different Kinds of Wrestling1800Yale Center for British Art
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66), William Blake, 1804 to 1820William Blake"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)1804 to 1820Yale Center for British Art
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, ca. 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)ca. 1797Yale Center for British Art
"With one accord in love sublime..." (Plate 44), William Blake, 1804 to 1820William Blake"With one accord in love sublime..." (Plate 44)1804 to 1820Yale Center for British Art
Love Songs, Class II. Tailpiece, William Blake, 1783William BlakeLove Songs, Class II. Tailpiece1783Yale Center for British Art
'Its favours here are trials, not rewards' (Page 12), William Blake, 1797William Blake'Its favours here are trials, not rewards' (Page 12)1797Yale Center for British Art
Chapter 4 Frontispiece (Plate 76), William Blake, 1804 to 1820William BlakeChapter 4 Frontispiece (Plate 76)1804 to 1820Yale Center for British Art
Laughing Song (Plate 14), William Blake, 1789William BlakeLaughing Song (Plate 14)1789Yale Center for British Art
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