ART WIKI37.723 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Gestohlen und verschollen
  • Werkstatus einbetten
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
  • Über uns
  • Nutzungsbedingungen
StartseiteKarteKatalog

Katalog

Radierung

114.143 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

/
Technik
  • Alle
  • Radierung114.143
  • Lithografie84.657
  • Kupferstich55.555
  • Holzschnitt49.710
  • Kaltnadel9.100
  • Siebdruck8.458
  • Aquatinta7.310
  • Fotomechanischer Druck6.899
  • Schabkunst6.372
  • Linolschnitt2.652
'Measuring his motions by revolving spheres' (Page 26), William Blake, 1797William Blake'Measuring his motions by revolving spheres' (Page 26)1797Yale Center for British Art
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10), William Blake, 1804 to 1820William Blake"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)1804 to 1820Yale Center for British Art
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)1804 to 1820Yale Center for British Art
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Yale Center for British Art
"And this the form of mighty Hand..." (Plate 70), William Blake, 1804 to 1820William Blake"And this the form of mighty Hand..." (Plate 70)1804 to 1820Yale Center for British Art
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, ca. 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)ca. 1797Yale Center for British Art
The Little Girl Found (Plate 22), William Blake, 1789William BlakeThe Little Girl Found (Plate 22)1789Yale Center for British Art
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Yale Center for British Art
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6), William Blake, 1804 to 1820William Blake"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)1804 to 1820Yale Center for British Art
"Highgates heights & Hampsteads..." (Plate 84), William Blake, 1804 to 1820William Blake"Highgates heights & Hampsteads..." (Plate 84)1804 to 1820Yale Center for British Art
'The longest night though longer far, would fail' (Page 15), William Blake, ca. 1797William Blake'The longest night though longer far, would fail' (Page 15)ca. 1797Yale Center for British Art
Fable XLI. The Owl and the Farmer, William Blake, 1793William BlakeFable XLI. The Owl and the Farmer1793Yale Center for British Art
The Chimney Sweeper (Plate 10), William Blake, 1789William BlakeThe Chimney Sweeper (Plate 10)1789Yale Center for British Art
Anacreon Ode LII, William Blake, 1794William BlakeAnacreon Ode LII1794Yale Center for British Art
'Where sense runs savage broke from reason's chain' (Page 46), William Blake, 1797William Blake'Where sense runs savage broke from reason's chain' (Page 46)1797Yale Center for British Art
The Shepherd, from Songs of Innocence, William Blake, ca. 1795William BlakeThe Shepherd, from Songs of Innocenceca. 1795Yale Center for British Art
"In beauty the Daughters of Albion divide..." (Plate 58), William Blake, 1804 to 1820William Blake"In beauty the Daughters of Albion divide..." (Plate 58)1804 to 1820Yale Center for British Art
The Chimney Sweeper (Plate 45), William Blake, 1794William BlakeThe Chimney Sweeper (Plate 45)1794Yale Center for British Art
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)1797Yale Center for British Art
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Yale Center for British Art
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Yale Center for British Art
Spring, from Songs of Innocence, William Blake, ca. 1795William BlakeSpring, from Songs of Innocenceca. 1795Yale Center for British Art
"Bath, mild Physician of Eternity..." (Plate 46), William Blake, 1804 to 1820William Blake"Bath, mild Physician of Eternity..." (Plate 46)1804 to 1820Yale Center for British Art
Thel's Motto (Plate 1), William Blake, 1789William BlakeThel's Motto (Plate 1)1789Yale Center for British Art
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Yale Center for British Art
"To labours mighty, with vast strength..." (Plate 11), William Blake, 1804 to 1820William Blake"To labours mighty, with vast strength..." (Plate 11)1804 to 1820Yale Center for British Art
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)1797Yale Center for British Art
Chapter II, "Muster around the bleak desarts..." (Plate 4), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 4)1794Yale Center for British Art
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78), William Blake, 1804 to 1820William BlakeChapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)1804 to 1820Yale Center for British Art
"Los shudder'd at beholding Albion..." (Plate 40), William Blake, 1804 to 1820William Blake"Los shudder'd at beholding Albion..." (Plate 40)1804 to 1820Yale Center for British Art
'The present moment terminates our sight' (Page 13), William Blake, ca. 1797William Blake'The present moment terminates our sight' (Page 13)ca. 1797Yale Center for British Art
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale Center for British Art
From a Globe of Blood Rises Enitharmon (Plate 16), William Blake, 1794William BlakeFrom a Globe of Blood Rises Enitharmon (Plate 16)1794Yale Center for British Art
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Yale Center for British Art
'Its favours here are trials, not rewards' (Page 12), William Blake, ca. 1797William Blake'Its favours here are trials, not rewards' (Page 12)ca. 1797Yale Center for British Art
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)1797Yale Center for British Art
"Condens'd his Emanations..." (Plate 9), William Blake, 1804 to 1820William Blake"Condens'd his Emanations..." (Plate 9)1804 to 1820Yale Center for British Art
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Yale Center for British Art
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Yale Center for British Art
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, ca. 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)ca. 1797Yale Center for British Art
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3), William Blake, 1789William BlakeThel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)1789Yale Center for British Art
A Poison Tree (Plate 41), William Blake, 1794William BlakeA Poison Tree (Plate 41)1794Yale Center for British Art
"Help! Help!" (Plate 12), William Blake, 1826William Blake"Help! Help!" (Plate 12)1826Yale Center for British Art
"Was living: panting like a frighted wolf..." (Plate 7), William Blake, 1804 to 1820William Blake"Was living: panting like a frighted wolf..." (Plate 7)1804 to 1820Yale Center for British Art
'And vapid; sense and reason shew the door' (Page 72), William Blake, ca. 1797William Blake'And vapid; sense and reason shew the door' (Page 72)ca. 1797Yale Center for British Art
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Yale Center for British Art
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, ca. 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)ca. 1797Yale Center for British Art
Ancient Ballads, Headpiece, William Blake, 1783William BlakeAncient Ballads, Headpiece1783Yale Center for British Art
44