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Tiger Hunt of Ram Singh II, c. 1830–40Tiger Hunt of Ram Singh IIc. 1830–40Cleveland Museum of Art
Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100sSudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)1000–1100sCleveland Museum of Art
Leaf from the Hours of Duke Louis of Savoy: Saints Nereus and Achilleus, mid-1400sLeaf from the Hours of Duke Louis of Savoy: Saints Nereus and Achilleusmid-1400sCleveland Museum of Art
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), (recto), c. 1610Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), (recto)c. 1610Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Jesus being awakened during a tempest on the Sea of Galilee (folio 77 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Jesus being awakened during a tempest on the Sea of Galilee (folio 77 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
Tsong Khapa, Founder of the Geluk Order, c. 1440–70Tsong Khapa, Founder of the Geluk Orderc. 1440–70Cleveland Museum of Art
Krishna's Insomnia, Page from a Rasikapriya, 1634Krishna's Insomnia, Page from a Rasikapriya1634Cleveland Museum of Art
Text, Folio 24 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 24 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night, c. 1560The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Nightc. 1560Cleveland Museum of Art
Maharaja Balwant Singh of Ratlam (r. 1825–57) in Procession with His Relatives and Courtiers, Kushala, 1825KushalaMaharaja Balwant Singh of Ratlam (r. 1825–57) in Procession with His Relatives and Courtiers1825Cleveland Museum of Art
Jesus Heals the Nobleman’s Son in Capernaum (folio 70 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Jesus Heals the Nobleman’s Son in Capernaum (folio 70 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
Historiated Initial (A) Excised from a Bible, 1200sHistoriated Initial (A) Excised from a Bible1200sCleveland Museum of Art
Text, Folio 86 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 86 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Blank leaf, folio 188 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Blank leaf, folio 188 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 7 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 7 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Krishna Vanquishing the Crane-Demon Bakasura, late 1700sKrishna Vanquishing the Crane-Demon Bakasuralate 1700sCleveland Museum of Art
A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504), c. 1610A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504)c. 1610Cleveland Museum of Art
The Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra, 1279The Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra1279Cleveland Museum of Art
Traveling Warriors Stopping at a Farm, c. 1800Traveling Warriors Stopping at a Farmc. 1800Cleveland Museum of Art
Text, Folio 59 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 59 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 64 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 64 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Cleveland Museum of Art
Sultan Ibrahim ibn Adham of Balkh Visited by Angels, c. 1740Sultan Ibrahim ibn Adham of Balkh Visited by Angelsc. 1740Cleveland Museum of Art
Miniature from a Compendium of Saints' Lives: Saint Catherine of Alexandria Disputing with the Fifty Philosophers, c. 1200–1210Miniature from a Compendium of Saints' Lives: Saint Catherine of Alexandria Disputing with the Fifty Philosophersc. 1200–1210Cleveland Museum of Art
Paper Doll, Hazel Janicki, 1944Hazel JanickiPaper Doll1944Cleveland Museum of Art
Text, Folio 142 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 142 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 113 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 113 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Persian calligraphy framed by an ornamental border of flowers, birds, and deer, from the Late Shah Jahan Album, Mir 'Ali Haravi, calligraphy: c. 1500–1540; border: c. 1630–40Mir 'Ali HaraviPersian calligraphy framed by an ornamental border of flowers, birds, and deer, from the Late Shah Jahan Albumcalligraphy: c. 1500–1540; border: c. 1630–40Cleveland Museum of Art
An amorous couple, probably Raja Mahendra Pal of Basohli with a favorite queen, c. 1810An amorous couple, probably Raja Mahendra Pal of Basohli with a favorite queenc. 1810Cleveland Museum of Art
Krishna as Kali worshipped by Radha (recto), from a Kalighat album, c. 1890Krishna as Kali worshipped by Radha (recto), from a Kalighat albumc. 1890Cleveland Museum of Art
Manasa, The Snake Goddess, c. 1890Manasa, The Snake Goddessc. 1890Cleveland Museum of Art
Cremation of the demon Putana, from a Krishna-Lila, c. 1790Cremation of the demon Putana, from a Krishna-Lilac. 1790242B Indian PaintingCleveland Museum of Art
Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind, c. 1602–4Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behindc. 1602–4Cleveland Museum of Art
Folio 22 from a Yoga-shastra of Hemachandra: Jain Monk with disciple and two laymen, two Nuns, and a laywoman (recto); Text (verso), c. 1275Folio 22 from a Yoga-shastra of Hemachandra: Jain Monk with disciple and two laymen, two Nuns, and a laywoman (recto); Text (verso)c. 1275Cleveland Museum of Art
Ragini Desakh of Meghamalhar, c. 1770–90Ragini Desakh of Meghamalharc. 1770–90Cleveland Museum of Art
Hanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740), late 1700sHanuman Brings the Mountain of Healing Plants; Rama Extracts the Arrow from Lakshmana as Hanuman and a Bear Prepare to Treat Him (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (Indian, died 1740)late 1700sCleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 41 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 41 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Hindola Raga, c. 1790–1800Hindola Ragac. 1790–1800Cleveland Museum of Art
Devotees at the Shrine of Shri Nathji, Khubiram Gopilal, 1920sKhubiram GopilalDevotees at the Shrine of Shri Nathji1920sCleveland Museum of Art
Head Priest Govardhan Lalji (1862–1934) Offers a Lamp to Shri Nathji in Celebration of the Spring Festival, Ghasiram Hardev Sharma, c. 1890Ghasiram Hardev SharmaHead Priest Govardhan Lalji (1862–1934) Offers a Lamp to Shri Nathji in Celebration of the Spring Festivalc. 1890Cleveland Museum of Art
Composition Circulaire, Mark Tobey, 1960Mark TobeyComposition Circulaire1960Cleveland Museum of Art
Text, Folio 130 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 130 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 106 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 106 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
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