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Text, Folio 112 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 112 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 75 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 75 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Markandeya Viewing Krishna in the Cosmic Ocean, c. 1680Markandeya Viewing Krishna in the Cosmic Oceanc. 1680Cleveland Museum of Art
The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Gujarati, c. 1560GujaratiThe handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Medallion from the Border of a Latin Bible: The Expulsion of Adam and Eve from Paradise, Primo Miniatore di San Domenico, early 1300sPrimo Miniatore di San DomenicoMedallion from the Border of a Latin Bible: The Expulsion of Adam and Eve from Paradiseearly 1300sCleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 29 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 29 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 154 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 154 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 56 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 56 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, Folio 138 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 138 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 14 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 14 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Gunakali Ragini, c. 1750Gunakali Raginic. 1750Cleveland Museum of Art
A pair of Brahminy ducks, c. 1595; borders added probably 1800sA pair of Brahminy ducksc. 1595; borders added probably 1800sCleveland Museum of Art
Three Musicians Perform Before a King: Shri Raga, from a Ragamala, c. 1650Three Musicians Perform Before a King: Shri Raga, from a Ragamalac. 1650Cleveland Museum of Art
Text, folio 12 (verso), from a Kalpa-sutra, c. 1475–1500Text, folio 12 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
King Kumarapala Pays Reverence to Hemachandra: Folio 2 (recto), from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka, 1428King Kumarapala Pays Reverence to Hemachandra: Folio 2 (recto), from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka1428Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 23 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 23 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Kamakandala dies on hearing the news of Madhava’s death, folio 19 from a Madhavanala-Kamakandala of Alam, c. 1720Kamakandala dies on hearing the news of Madhava’s death, folio 19 from a Madhavanala-Kamakandala of Alamc. 1720Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 55 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 55 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Single Miniature Excised from Boccaccio's Des Cleres et nobles femmes: Queen Medusa and Her Court, Maître François, c. 1470Maître FrançoisSingle Miniature Excised from Boccaccio's Des Cleres et nobles femmes: Queen Medusa and Her Courtc. 1470Cleveland Museum of Art
Illuminated folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291), Sultan 'Ali al-Mashadi, calligraphy: c. 1475–1500; border: c. 1550Sultan 'Ali al-MashadiIlluminated folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291)calligraphy: c. 1475–1500; border: c. 1550Cleveland Museum of Art
The painting made by the vizier of the emperor of China for the queen of Rum, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night, c. 1560The painting made by the vizier of the emperor of China for the queen of Rum, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Nightc. 1560Cleveland Museum of Art
Text, Folio 29 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 29 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 10 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 10 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Royal women shooting from a pavilion, c. 1810Royal women shooting from a pavilionc. 1810Cleveland Museum of Art
Text, Folio 74 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 74 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, folio 170 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 170 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Nightc. 1560Cleveland Museum of Art
Lovers on a Terrace: Ramakali Ragini of Hindol, from a Bundi Ragamala, c. 1610Lovers on a Terrace: Ramakali Ragini of Hindol, from a Bundi Ragamalac. 1610Cleveland Museum of Art
A blindfolded suitor is brought before a princess; verso: scrolling floral vines, Fayzullah, 1755FayzullahA blindfolded suitor is brought before a princess; verso: scrolling floral vines1755Cleveland Museum of Art
A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History, c. 1600A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious Historyc. 1600Cleveland Museum of Art
Text, Folio 137 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 137 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 24 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 24 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
A royal ram with a gold chain, c. 1585; border added probably 1700sA royal ram with a gold chainc. 1585; border added probably 1700sCleveland Museum of Art
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