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Decorated Initial (P) (Excised from a Bible?), c. 1150–60Decorated Initial (P) (Excised from a Bible?)c. 1150–60Cleveland Museum of Art
Rama and Sita enthroned (recto), from a Kalighat album, c. 1890Rama and Sita enthroned (recto), from a Kalighat albumc. 1890Cleveland Museum of Art
The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Nightc. 1560Cleveland Museum of Art
Bagalamukhi, the eighth Mahavidya, from a Dashamahavidya series, c. 1725Bagalamukhi, the eighth Mahavidya, from a Dashamahavidya seriesc. 1725Cleveland Museum of Art
Jesus Raises Jairus’s Daughter from the Dead (folio 82 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Jesus Raises Jairus’s Daughter from the Dead (folio 82 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The Jacket, Bernard Perlin, 1951Bernard PerlinThe Jacket1951Whitney Museum of American Art
Indendøre, Lene Adler Petersen, 1982Lene Adler PetersenIndendøre1982Statens Museum for Kunst
The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Nightc. 1560Cleveland Museum of Art
The Brahman’s predicament is conveyed by the wind to the fish who carries the news to the king of the Ocean, from a Tuti-nama (Tales of a Parrot): Eleventh Night, c. 1560The Brahman’s predicament is conveyed by the wind to the fish who carries the news to the king of the Ocean, from a Tuti-nama (Tales of a Parrot): Eleventh Nightc. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night, c. 1560The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Nightc. 1560Cleveland Museum of Art
The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night, Suraju, c. 1560SurajuThe king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Nightc. 1560Cleveland Museum of Art
Leaf from a Book of Hours: Coronation of the Virgin, Guillaume Vrelant, c. 1470–1480Guillaume VrelantLeaf from a Book of Hours: Coronation of the Virginc. 1470–1480Cleveland Museum of Art
Sagittarius, c. 1810Sagittariusc. 1810Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The Crucifixion, Francescuccio Ghissi, c. 1370Francescuccio GhissiThe Crucifixionc. 1370Art Institute of Chicago
Poker Night (from A Streetcar Named Desire), Thomas Hart Benton, 1948Thomas Hart BentonPoker Night (from A Streetcar Named Desire)1948Whitney Museum of American Art
Coronation of the Virgin, Master of the Fröndenberg Altarpiece, c. 1410Master of the Fröndenberg AltarpieceCoronation of the Virginc. 1410111 German and Austrian GothicCleveland Museum of Art
Divine couple seated in a lotus blossom, early 1800sDivine couple seated in a lotus blossomearly 1800sCleveland Museum of Art
Text, Folio 14 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 14 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, folio 178 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 178 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Descent of the Ganges, c. 1700–1710Descent of the Gangesc. 1700–1710Cleveland Museum of Art
The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Supreme Spirit) from the Brahmanda Purana (Ancient Scripture of the Cosmic Egg), c. 1820–30The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Supreme Spirit) from the Brahmanda Purana (Ancient Scripture of the Cosmic Egg)c. 1820–30Cleveland Museum of Art
Text, folio 5 (verso), from Brahman Rishabhadatta's speech, from a Kalpa-sutra, c. 1475–1500Text, folio 5 (verso), from Brahman Rishabhadatta's speech, from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Tara 2, c. 1560Tara 2The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Krishna and the Gopis Gather for Rasamandala, c. 1720–30Krishna and the Gopis Gather for Rasamandalac. 1720–30Cleveland Museum of Art
Text, Folio 68 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 68 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 140 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 140 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The Descent from the Cross, Bernardino Jacobi Butinone, c. 1485Bernardino ButinoneThe Descent from the Crossc. 1485Saal 204Art Institute of Chicago
Fantasia on a Theme by Dr. S., Paul Cadmus, 1946Paul CadmusFantasia on a Theme by Dr. S.1946Whitney Museum of American Art
Raja Sansar Chand attacking Kangra Fort, after 1782Raja Sansar Chand attacking Kangra Fortafter 1782Cleveland Museum of Art
Royal lovers watching rain clouds: The month of Bhadon, from a Barahmasa, c. 1790Royal lovers watching rain clouds: The month of Bhadon, from a Barahmasac. 1790242B Indian PaintingCleveland Museum of Art
A marbled picture of Rustam catching Rakhsh, Shafi, c. 1650ShafiA marbled picture of Rustam catching Rakhshc. 1650Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Krishna Stealing Curds, late 1700sKrishna Stealing Curdslate 1700sCleveland Museum of Art
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom), Mushfiq, Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat
Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananMushfiqZulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art
The invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560The invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Nightc. 1560Cleveland Museum of Art
Seated Amitabha with Attendants, c. 1100sSeated Amitabha with Attendantsc. 1100sCleveland Museum of Art
Text, Folio 102 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 102 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 79 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 79 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Ten Cents a Dance, Reginald Marsh, 1933Reginald MarshTen Cents a Dance1933Whitney Museum of American Art
Komposition, Holger Jacobsen, 1954Holger JacobsenKomposition1954Statens Museum for Kunst
Krishna summoning the cows, c. 1780–90Krishna summoning the cowsc. 1780–90242B Indian PaintingCleveland Museum of Art
The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
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