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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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Britische Malerei

4.892 Werke aus 117 Museen625 jetzt ausgestelltAlle löschen

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Miss Anne Ryan, John Everett MillaisJohn Everett MillaisMiss Anne RyanNational Gallery
Salisbury Cathedral from Lower Marsh Close, John Constable, 1820John ConstableSalisbury Cathedral from Lower Marsh Close1820Saal 57 · Westgebäude, HauptgeschossNational Gallery of Art
Saint Eulalia, John William Waterhouse, 1885John William WaterhouseSaint Eulalia1885National Gallery
Le Roué à Oxford dit autrefois Débat sur la chiromancie, Hogarth, William, XVIIIe siècle (1700 - 1800)William HogarthLe Roué à Oxford dit autrefois Débat sur la chiromancieXVIIIe siècle (1700 - 1800)Louvre
The Order of Release, John Everett Millais, 1850sJohn Everett MillaisThe Order of Release1850sNational Gallery
Stoke-by-Nayland, John Constable, ca. 1810–11John ConstableStoke-by-Naylandca. 1810–11Saal 808Metropolitan Museum of Art
Christ in the House of His Parents, John Everett Millais, 1849John Everett MillaisChristus im Hause seiner Eltern1849National Gallery
Écluse sur la rivière Stour à Flatford Mill (Suffolk), Constable, John, 1e quart du XIXe siècle (vers 1812)John ConstableÉcluse sur la rivière Stour à Flatford Mill (Suffolk)1e quart du XIXe siècle (vers 1812)Louvre
The Strode Family, William Hogarth, c. 1738William HogarthThe Strode Familyc. 1738National Gallery
L'Arc-en-ciel, Constable, John, XIXe siècle (1800 - 1900)John ConstableL'Arc-en-cielXIXe siècle (1800 - 1900)Louvre
"Willy Lott's House", Constable, John, 1e moitié du XIXe siècle (1840)John Constable"Willy Lott's House"1e moitié du XIXe siècle (1840)Louvre
The Magic Circle, John William Waterhouse, 1886John William WaterhouseThe Magic Circle1886National Gallery
A Scene from The Beggar's Opera, William Hogarth, 1728/1729William HogarthA Scene from The Beggar's Opera1728/1729National Gallery of Art
The Sleeping Congregation, William Hogarth, 1728William HogarthThe Sleeping Congregation1728G307Minneapolis Institute of Art
Wivenhoe Park, Essex, John Constable, 1816John ConstableWivenhoe Park, Essex1816Saal 57 · Westgebäude, HauptgeschossNational Gallery of Art
The White Horse, John Constable, 1818-1819John ConstableThe White Horse1818-1819Saal 57 · Westgebäude, HauptgeschossNational Gallery of Art
Vue de Hampstead Heath, effet d’orage ou L’Étang de Branch Hill à Hampstead, Constable, John, 1e quart du XIXe siècle (vers 1822)John ConstableVue de Hampstead Heath, effet d’orage ou L’Étang de Branch Hill à Hampstead1e quart du XIXe siècle (vers 1822)Louvre
The Road in the Woods, Alfred Sisley, 1879Alfred SisleyThe Road in the Woods1879National Gallery of Art
The Vale of Rest, John Everett Millais, 1850sJohn Everett MillaisDas Tal der Stille1850sNational Gallery
The Ransom, John Everett Millais, 1860–1862John Everett MillaisThe Ransom1860–1862Museum West Pavilion, Gallery W202J. Paul Getty Museum
Printemps. East Bergholt Common (Suffolk), Constable, John, 2e quart du XIXe siècle (1840)John ConstablePrintemps. East Bergholt Common (Suffolk)2e quart du XIXe siècle (1840)Louvre
Marriage A-la-Mode: 1. The Marriage Settlement, William Hogarth, 1743William HogarthMarriage A-la-Mode: 1. The Marriage Settlement1743National Gallery
Marriage A-la-Mode: 2. The Tête à Tête, William Hogarth, 1743William HogarthMarriage A-la-Mode: 2. The Tête à Tête1743National Gallery
Mrs Salter, William Hogarth, 1741William HogarthMrs Salter1741National Gallery
Cloud Study: Stormy Sunset, John Constable, 1821-1822John ConstableCloud Study: Stormy Sunset1821-1822National Gallery of Art
A Maid Offering a Basket of Fruit to a Cavalier, John Everett Millais, 1849John Everett MillaisA Maid Offering a Basket of Fruit to a Cavalier1849National Gallery
Yarmouth Jetty, John Constable, 1822John ConstableYarmouth Jetty1822National Gallery of Art
Hearts are Trumps, John Everett Millais, 1872John Everett MillaisHearts are Trumps1872National Gallery
‘The Moon is Up, and Yet it is not Night’, John Everett Millais, 1890John Everett Millais‘The Moon is Up, and Yet it is not Night’1890National Gallery
The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729William HogarthThe Wedding of Stephen Beckingham and Mary Cox1729Saal 630Metropolitan Museum of Art
Sir Henry Thompson, Bt, John Everett Millais, 1881John Everett MillaisSir Henry Thompson, Bt1881National Gallery
Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)John ConstableVue de Salisbury1e quart du XIXe siècle (1820)Salle 713, Aile Denon, Niveau 1Louvre
La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)John ConstableLa baie de Weymouth à l'approche de l'orage1e quart du XIXe siècle (1818 - 1819)Salle 713, Aile Denon, Niveau 1Louvre
Paysage avec un champ et une barrière, Constable, John, XIXe siècle (1826)John ConstablePaysage avec un champ et une barrièreXIXe siècle (1826)Louvre
The Glebe Farm, à Langham (Suffolk)., Constable, John, 2e quart du XIXe siècle (1840)John ConstableThe Glebe Farm, à Langham (Suffolk).2e quart du XIXe siècle (1840)Louvre
The Watermill, John ConstableJohn ConstableThe WatermillSchwedisches Nationalmuseum
Caprice. Verso: Masked Woman with a White Mouse, Aubrey Beardsley, 1894Aubrey BeardsleyCaprice. Verso: Masked Woman with a White Mouse1894National Gallery
Consulting the Oracle, John William Waterhouse, 1884John William WaterhouseConsulting the Oracle1884National Gallery
Serjeant Ralph Thomas, John Everett Millais, 1848John Everett MillaisSerjeant Ralph Thomas1848National Gallery
The Lady of Shalott, John William Waterhouse, 1888John William WaterhouseThe Lady of Shalott1888National Gallery
Shelves for Dynamite, Lynette Yiadom-Boakye, 2018Lynette Yiadom-BoakyeShelves for Dynamite2018Minneapolis Institute of Art
American Collectors (Fred and Marcia Weisman), David Hockney, 1968David HockneyAmerican Collectors (Fred and Marcia Weisman)1968Saal 294Art Institute of Chicago
Marriage A-la-Mode: 4. The Toilette, William Hogarth, 1743William HogarthMarriage A-la-Mode: 4. The Toilette1743National Gallery
A Scene from ‘The Beggar’s Opera’ VI, William Hogarth, 1731William HogarthA Scene from ‘The Beggar’s Opera’ VI1731National Gallery
James Quin, Actor, William Hogarth, 1739William HogarthJames Quin, Actor1739National Gallery
Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825John ConstableSalisbury Cathedral from the Bishop's Groundsca. 1825Saal 808Metropolitan Museum of Art
Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)John ConstableVallon à Helmingham [Helmingham Dell]1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)Salle 713, Aile Denon, Niveau 1Louvre
Malvern Hall, Warwickshire, John Constable, 1809John ConstableMalvern Hall, Warwickshire1809National Gallery
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