William BlakeVereinigtes Königreich, 1757–1827The Virgin and Child in Egypt
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Ja, derzeit ausgestellt
Wo ist „The Virgin and Child in Egypt“ heute? Victoria and Albert Museum, Paintings, Room 82, The Edwin and Susan Davies Galleries, London. Ja, derzeit ausgestellt. Geprüft 25. September 2026.
London, Vereinigtes Königreich
SaalPaintings, Room 82, The Edwin and Susan Davies Galleries
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Über das Gemälde
This is one of four similar paintings that Blake made for his faithful patron Thomas Butts. The others depict Adam, Eve and Christ. As a group, they show the fall and redemption of mankind. Here Blake depicted the Virgin Mary and Jesus in an Egypt of the artist's imagination, under the palm tree where they are said to have sheltered. The Pyramids are in the distance, and the Nile and walls of Cairo in the background.
Victoria and Albert Museum
Angaben
- Inventarnummer
- P.25-1953
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- Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Im Leben von William Blake
Das ganze Leben1780–1808
Exhibits six times at the Royal Academy
Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.
Oktober 1803 – 1820 · Wohnort
South Molton Street
c. 1808
Polemical annotations to Reynolds's “Discourses”
Around 1808 Blake gave vigorous expression to his views on art in an extensive series of polemical annotations to Sir Joshua Reynolds's “Discourses”, denouncing the Royal Academy as a fraud and proclaiming that to generalise is to be an idiot.
1809
An exhibition in his brother's shop: nothing sold
Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.
1809
The “Descriptive Catalogue”: an analysis of Chaucer
For the exhibition Blake wrote his “Descriptive Catalogue” (1809), which contains what Anthony Blunt called a “brilliant analysis” of Chaucer and is regularly anthologised as a classic of Chaucer criticism; it also contains detailed explanations of his other paintings.
