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  3. The Canterbury Pilgrims
The Canterbury Pilgrims, William Blake, 1810
William Blake, PorträtWilliam BlakeVereinigtes Königreich, 1757–1827

The Canterbury Pilgrims

1810 · Print

Darf man es sehen?

Empfängt derzeit nicht

Art Institute of Chicago

Chicago, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

Those with devout hearts set out on medieval pilgrimages, but these journeys could also be experienced in social fellowship. The visionary English artist William Blake’s enormous frieze contains all 29 of Geoffrey Chaucer’s boisterous Canterbury Tales pilgrims, as well as a portrait of the author himself. In Chaucer’s book, each character tells stories while passing time along the way from London to Canterbury Cathedral, a pilgrimage route that rivaled the Camino de Santiago in Spain. Blake devoted reams of paper to advertise this print, describing Chaucer’s Tales as “the physiognomy or elements of universal human life.”

Art Institute of Chicago · CC BY 4.0

Angaben

1810 · mit 53 Jahren
17571827
Inventarnummer
1991.613

Im Katalog

DruckgrafikKupferstichKlassizismusRomantik19. JahrhundertEngland

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — CC0

Derweil im Leben von William Blake

Das ganze Leben
  1. 1780–1808

    Exhibits six times at the Royal Academy

    Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.

  2. Oktober 1803 – 1820 · Wohnort

    South Molton Street

  3. c. 1808

    Polemical annotations to Reynolds's “Discourses”

    Around 1808 Blake gave vigorous expression to his views on art in an extensive series of polemical annotations to Sir Joshua Reynolds's “Discourses”, denouncing the Royal Academy as a fraud and proclaiming that to generalise is to be an idiot.

  4. 1809

    An exhibition in his brother's shop: nothing sold

    Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.

  5. 1809

    The “Descriptive Catalogue”: an analysis of Chaucer

    For the exhibition Blake wrote his “Descriptive Catalogue” (1809), which contains what Anthony Blunt called a “brilliant analysis” of Chaucer and is regularly anthologised as a classic of Chaucer criticism; it also contains detailed explanations of his other paintings.

Mehr von William Blake

Alle Werke
St. Matthew, William Blake, 1799

St. Matthew

1799 · Cleveland Museum of Art

The Christ Child Asleep on the Cross, William Blake, 1799-1800

The Christ Child Asleep on the Cross

1799-1800 · Victoria and Albert Museum

Eve Tempted by the Serpent, William Blake, 1799-1800

Eve Tempted by the Serpent

1799-1800 · Victoria and Albert Museum

Our Lady with the Infant Jesus Riding on a Lamb with St John, William Blake, 1800

Our Lady with the Infant Jesus Riding on a Lamb with St John

1800 · Victoria and Albert Museum

War, William Blake, 1805

War

1805 · Harvard Art Museums

The Virgin and Child in Egypt, William Blake, 1810

The Virgin and Child in Egypt

1810 · Victoria and Albert Museum

Christ Blessing, William Blake, c. 1810

Christ Blessing

c. 1810 · Harvard Art Museums

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, William Blake, 1827, printed 1968

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo

1827, printed 1968 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: Art Institute of Chicago

Museumsseite
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Straße in Paris an einem regnerischen Tag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Auf der Terrasse, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942