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  3. The Bedroom
The Bedroom, Vincent van Gogh, 1889
Vincent van Gogh, PorträtVincent van GoghNiederlande, 1853–1890

The Bedroom

1889 · Oil on canvas

Darf man es sehen?

Ja, es empfängt Besucher

Art Institute of Chicago

Chicago, Vereinigte Staaten

Saal241

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 3 Tagen
Unverändert seit
16. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Gemälde

Vincent van Gogh so highly esteemed his bedroom painting that he made three distinct versions: the first, now in the collection of the Van Gogh Museum, Amsterdam; the second, belonging to the Art Institute of Chicago, painted a year later on the same scale and almost identical; and a third, smaller canvas in the collection of the Musée d’Orsay, Paris, which he made as a gift for his mother and sister. Van Gogh conceived the first Bedroom in October 1888, a month after he moved into his “Yellow House” in Arles, France. This moment marked the first time the artist had a home of his own, and he had immediately and enthusiastically set about decorating, painting a suite of canvases to fill the walls. Completely exhausted from the effort, he spent two-and-a-half days in bed and was then inspired to create a painting of his bedroom.

Weiterlesen

As he wrote to his brother Theo, “It amused me enormously doing this bare interior. With a simplicity à la Seurat. In flat tints, but coarsely brushed in full impasto, the walls pale lilac, the floor in a broken and faded red, the chairs and the bed chrome yellow, the pillows and the sheet very pale lemon green, the bedspread blood-red, the dressing-table orange, the washbasin blue, the window green. I had wished to express utter repose with all these very different tones.” Although the picture symbolized relaxation and peace to the artist, to our eyes the canvas seems to teem with nervous energy, instability, and turmoil, an effect heightened by the sharply receding perspective.

Art Institute of Chicago · CC BY 4.0

Angaben

1889 · mit 36 Jahren
18531890

Was es zeigt

InteriorBasinBlue (color)StuhlChairsDoorsFrankreichGreen (color)MirrorPitcherRed (color)TischFensterDomestic scenesCentury of ProgressWorld's fairsChicago World's FairsBedsBedrooms

Im Katalog

GemäldeNiederländische MalereiImpressionismus19. JahrhundertPost-ImpressionismusSaint-Rémy-de-Provence

Quellen

  • Art Institute of Chicago
  • Bild: Wikimedia Commons — Public domain (PD-Art)

Derweil im Leben von Vincent van Gogh

Das ganze Leben
  1. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

    A fatal wound: a revolver shot

    Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  6. 29. Juli 1890

    Died

Mehr von Vincent van Gogh

Alle Werke
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · Metropolitan Museum of Art

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · Rijksmuseum Amsterdam

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · Metropolitan Museum of Art

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · Metropolitan Museum of Art

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · Minneapolis Institute of Art

Irises, Vincent van Gogh, 1890

Irises

1890 · Metropolitan Museum of Art

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · Rijksmuseum Amsterdam

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · Metropolitan Museum of Art

Im selben Saal · Gallery 241, Art Institute of Chicago

Museumsseite
Self-Portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-Portrait, 1887

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Vincent van Gogh, Early 1887

Vincent van Gogh

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887

Fishing in Spring, the Pont de Clichy (Asnières), Vincent van Gogh, 1887

Vincent van Gogh

Fishing in Spring, the Pont de Clichy (Asnières), 1887

A Peasant Woman Digging in Front of Her Cottage, Vincent van Gogh, c. 1885

Vincent van Gogh

A Peasant Woman Digging in Front of Her Cottage, c. 1885

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889

Vincent van Gogh

Madame Roulin Rocking the Cradle (La berceuse), 1889

The Drinkers, Vincent van Gogh, 1890

Vincent van Gogh

The Drinkers, 1890

Arlésiennes (Mistral), Paul Gauguin, 1888

Paul Gauguin

Arlésiennes (Mistral), 1888

The Harvest of Buckwheat, Paul Sérusier, 1899

Sérusier, Paul

The Harvest of Buckwheat, 1899

Zum selben Thema · Interior

Alle Werke zum Thema
Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Junge Frau mit Wasserkanne am Fenster, ca. 1662

Metropolitan Museum of Art

Interior, Penitente Morada, Abiquiu, Northern New Mexico, Ansel Adams, c. 1930

Ansel Adams

Interior, Penitente Morada, Abiquiu, Northern New Mexico, c. 1930

Nicht ausgestellt · National Gallery of Art

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Auguste Renoir, 1878

Pierre-Auguste Renoir

Porträt der Frau Charpentier und ihre Kinder, 1878

Metropolitan Museum of Art

Potato Eaters, Vincent van Gogh, 1885

Vincent van Gogh

Potato Eaters, 1885

Nicht ausgestellt · National Gallery of Art

Boy and Sleeping Girl in Candlelight (Garçon et dormeuse à la chandelle), Pablo Picasso, 1934

Pablo Picasso

Boy and Sleeping Girl in Candlelight (Garçon et dormeuse à la chandelle), 1934

Nicht ausgestellt · National Gallery of Art

Two Women Waking Up (Deux Femmes au Réveil), Pablo Picasso, 1959, printed 1964

Pablo Picasso

Two Women Waking Up (Deux Femmes au Réveil), 1959, printed 1964

Nicht ausgestellt · National Gallery of Art

Faun Unveiling a Woman (Faune dévoilant une femme), Pablo Picasso, 1936

Pablo Picasso

Faun Unveiling a Woman (Faune dévoilant une femme), 1936

Nicht ausgestellt · National Gallery of Art

The Frugal Repast (Le repas frugal), Pablo Picasso, 1904, published 1913

Pablo Picasso

The Frugal Repast (Le repas frugal), 1904, published 1913

Nicht ausgestellt · National Gallery of Art