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  3. The Brioche
The Brioche, Edouard Manet, 1870

The Brioche

1870 · Painting

Über das Gemälde

The Brioche is a painting completed in 1870 by the French artist Édouard Manet. Done in oil on canvas, the work depicts a brioche loaf resting on a table. It is in the collection of the Metropolitan Museum of Art.

Manet was inspired to paint it after a painting of a brioche by 18th-century artist Jean Siméon Chardin was donated to the Louvre in Paris. In Manet's work the brioche is accompanied by peaches and plums. It is singular among Manet's still lifes for its formality, and mark the last time he would paint such an elaborate tabletop composition.

Wikipedia · CC BY-SA

Angaben

1870 · mit 38 Jahren
18321883
Inventarnummer
1991.287

Derweil im Leben von Édouard Manet

Das ganze Leben
  1. 1868

    Friendship with Berthe Morisot

    In 1868 Manet became a friend and colleague of Berthe Morisot; she is credited with convincing him to attempt plein air painting, to which Camille Corot had introduced her. Through Morisot, Manet became friends with Degas, Monet, Renoir, Sisley, Cézanne and Pissarro.

  2. 1869

    Meets Eva Gonzalès

    In 1869 Manet met the young painter Eva Gonzalès and offered that she pose for a portrait; she became his only formal student.

  3. 1870

    The siege of Paris: Manet in the army

    During the siege of Paris Manet, a convinced republican, sent his family to Oloron-Sainte-Marie in the south of France, while he himself, with many fellow artists, joined the army and took part in the defence of the capital; he was lucky to survive.

  4. 1870s

    Refuses to exhibit with the Impressionists

    Although his own work influenced and anticipated the Impressionist style, Manet resisted involvement in Impressionist exhibitions: he did not wish to be seen as the representative of a group identity and held that modern artists should seek to exhibit at the Salon.

  5. 1871

    Manet's name on the Commune's Fédération des artistes

    In his absence his friends added his name to the Paris Commune's “Fédération des artistes”; he himself stayed out of politics and perhaps returned to the city only after the “bloody week” — in a letter to Berthe Morisot of 10 June he writes that they had come back a few days earlier.

Mehr von Édouard Manet

Alle Werke

Im selben Saal · Gallery 810, Metropolitan Museum of Art

Museumsseite

Zum selben Thema · Bread

Alle Werke zum Thema
  • 1871

    Oloron and Bordeaux: letters to Bracquemond

    In January 1871 Manet travelled to Oloron-Sainte-Marie in the Pyrenees and then visited Bordeaux, the provisional seat of the National Assembly, where Émile Zola showed him the sights. On 18 March he wrote to Félix Bracquemond that he had never imagined France could be represented by such doddering old fools.

  • Édouard Manet, PorträtÉdouard ManetFrankreich, 1832–1883

    Darf man es sehen?

    Ja, es empfängt Besucher

    Metropolitan Museum of Art

    New York City, Vereinigte Staaten

    Saal810

    Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

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    Unverändert seit
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    Quelle
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    Auf der KarteMuseumsseite

    Was es zeigt

    BreadGrapesPeachesFlowersStillleben

    Im Katalog

    GemäldeÖlFranzösische MalereiRealismusImpressionismus19. Jahrhundert

    Quellen

    • Metropolitan Museum of Art
    • Bild: Metropolitan Museum of Art — Open Access (CC0)
    The Spanish Singer, Edouard Manet, 1860

    Spanischer Sänger

    1860 · Metropolitan Museum of Art

    The Smoker, Édouard Manet, 1866

    The Smoker

    1866 · Minneapolis Institute of Art

    Young Lady in 1866, Edouard Manet, 1866

    Young Lady in 1866

    1866 · Metropolitan Museum of Art

    Boating, Edouard Manet, 1874

    Im Boot

    1874 · Metropolitan Museum of Art

    La Vierge au lapin, Manet, Édouard, Milieu du XIXe siècle (1840 - 1860)

    La Vierge au lapin

    Milieu du XIXe siècle (1840 - 1860) · Louvre

    Boy with a Sword, Edouard Manet, 1861

    Knabe mit Schwert

    1861 · Metropolitan Museum of Art

    Portrait of Madame Brunet, Édouard Manet, about 1861–1863, reworked by 1867

    Portrait of Madame Brunet

    about 1861–1863, reworked by 1867 · J. Paul Getty Museum

    The Old Musician, Edouard Manet, 1862

    Der alte Musikant

    1862 · National Gallery of Art

    Young Lady in 1866, Edouard Manet, 1866

    Édouard Manet

    Young Lady in 1866, 1866

    The Spanish Singer, Edouard Manet, 1860

    Édouard Manet

    Spanischer Sänger, 1860

    A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865

    Edgar Degas

    A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865

    The Funeral, Edouard Manet, ca. 1867

    Édouard Manet

    The Funeral, ca. 1867

    A Matador, Edouard Manet, 1866–67

    Édouard Manet

    A Matador, 1866–67

    The Dead Christ with Angels, Edouard Manet, 1864

    Édouard Manet

    The Dead Christ with Angels, 1864

    Young Man in the Costume of a Majo, Edouard Manet, 1863

    Édouard Manet

    Young Man in the Costume of a Majo, 1863

    Fishing, Edouard Manet, ca. 1862–63

    Édouard Manet

    Fishing, ca. 1862–63

    Still Life with Bottle, Carafe, Bread, and Wine, Claude Monet, c. 1862/1863

    Claude Monet

    Still Life with Bottle, Carafe, Bread, and Wine, c. 1862/1863

    Nicht ausgestellt · National Gallery of Art

    Merrymakers at Shrovetide, Frans Hals, ca. 1616–17

    Frans Hals

    Merrymakers at Shrovetide, ca. 1616–17

    Metropolitan Museum of Art

    Abraham Entertaining the Angels, Rembrandt van Rijn, 1656

    Rembrandt van Rijn

    Abraham Entertaining the Angels, 1656

    Nicht ausgestellt · National Gallery of Art

    Still Life with Bread and Sugar Bowl, Mark Rothko

    Mark Rothko

    Still Life with Bread and Sugar Bowl

    Nicht ausgestellt · National Gallery of Art

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    The Basket of Apples, c. 1893

    Art Institute of Chicago

    The Miracle of the Loaves and Fishes, Jacopo Tintoretto, ca. 1545–50

    Jacopo Tintoretto

    The Miracle of the Loaves and Fishes, ca. 1545–50

    Metropolitan Museum of Art

    The Afternoon Meal (La Merienda), Luis Meléndez, ca. 1772

    Luis Meléndez

    The Afternoon Meal (La Merienda), ca. 1772

    Metropolitan Museum of Art

    Untitled (Pedestrians and Bread Cars), Saul Steinberg, 1952

    Saul Steinberg

    Untitled (Pedestrians and Bread Cars), 1952

    Nicht ausgestellt · National Gallery of Art