Three Studies of Reclining Figures

1970 · Drawing

Kan det ses?

Ikke udstillet lige nu

Hvor er »Three Studies of Reclining Figures« i dag? Samling: National Gallery of Art, Washington, D.C. Ikke udstillet lige nu. Kontrolleret 29. september 2026.

National Gallery of Art

Washington, D.C., USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret: for 12 dage siden
Uændret siden: 19. aug. 2026
Kilde: Museet

På kortet Museets side

Oplysninger

Inventarnummer: 2015.19.3395

Hvad det viser

Figures Akt Reclining figure

I kataloget

Tegninger & akvareller Pen Efterkrigskunst 1900-tallet British

Kilder

National Gallery of Art
Billede: National Gallery of Art — © the artist or rights holder

Imens i livet hos Henry Moore

Hele livet

1940–1986
A bomb in Hampstead: the move to Hoglands
In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.
1968 · Udmærkelse
Erasmus Prize
1971–1974
A gift to Toronto: the Henry Moore Sculpture Centre
In 1974 the Henry Moore Sculpture Centre opened at the Art Gallery of Ontario in Toronto, the world’s largest public collection of Moore’s work, most of it donated by him between 1971 and 1974.
summer 1972
An exhibition at the Forte di Belvedere, Florence
In the summer of 1972 a major retrospective of Moore’s work was held in the grounds of the Forte di Belvedere overlooking Florence, one of several large shows held around the world in the last three decades of his life.
1972–1977
The Henry Moore Trust and Foundation
As his wealth grew Moore worried about his legacy, and with the help of his daughter Mary set up the Henry Moore Trust in 1972 to protect his estate from death duties. By 1977 he was paying nearly a million pounds a year in income tax and established the Henry Moore Foundation as a charity, with Irina and Mary as trustees, to encourage public appreciation of the visual arts and especially of his own work.