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  1. Samling/
  2. National Gallery of Art/
  3. Mezzetin
Mezzetin, Antoine Watteau, c. 1716

Mezzetin

c. 1716 · Drawing

Oplysninger

c. 1716
16841721
Inventarnummer
1963.12.1

Imens i livet hos Jean-Antoine Watteau

Hele livet
  1. 1710s

    Meets Edme-François Gersaint

    At Sirois's house Watteau meets his son-in-law, the art dealer Edme-François Gersaint, who soon becomes a close friend.

  2. 1710s

    Tuberculosis sets in

    Watteau's fame grows steadily, yet he is as a rule dissatisfied with everything that comes from his brush; at the same time he develops a serious illness, tuberculosis.

  3. 1714

    Moves into the banker Crozat's mansion

    Through Sirois, Watteau finds a patron in the very wealthy banker and collector Pierre Crozat and, at his invitation, moves into Crozat's newly built Paris mansion. There he gains access to the celebrated collection and eagerly copies drawings by the great masters; next door lives the academician Charles de La Fosse, with whom he is on good terms.

  4. c. 1717

    Crozat recommends Watteau to Rosalba Carriera

    Watteau's fame spreads beyond Paris: the banker Crozat writes to the celebrated portraitist Rosalba Carriera in Venice that among Paris painters he knows no one but Watteau who could produce a work worthy of being shown to her. Crozat's patronage and lucrative commissions help to launch the painter's European reputation.

  5. 28 August 1717

    Elected to the Academy: a “fête galante”

    By 1717 Watteau's “gallant scenes” have had such wide success that an exception is made for his reception piece, “Pilgrimage to Cythera”: in the minutes the words “pilgrimage to Cythera” are struck out and replaced by “fête galante”. Watteau is elected a full member of the Academy; the ceremony is attended by the First Painter to the King, Antoine Coypel, by Claude Gillot and by the Regent, the Duke of Orléans.

Mere af Jean-Antoine Watteau

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Naboer på National Gallery of Art

Museets side

Om samme emne · Occupation

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  • 1718

    Leaves Crozat's house

    Watteau's independent character does not let him stay long in such luxurious but constraining circumstances, and in 1718 he leaves the house of his patron, who does not lose interest in his art. “Gilles” was probably one of the last works painted in the large studio put at his disposal in Crozat's mansion.

  • Jean-Antoine Watteau, portrætJean-Antoine WatteauFrankrig, 1684–1721

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    National Gallery of Art

    Washington, D.C., USA

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    19. aug. 2026
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    OccupationTheaterCommedia dell'arte

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    Kilder

    • National Gallery of Art
    • Billede: National Gallery of Art — Museum open access
    Mezzetin, Antoine Watteau, ca. 1718–20

    Mezzetin

    ca. 1718–20 · Metropolitan Museum of Art

    L'Automne, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    L'Automne

    1e quart du XVIIIe siècle (1700 - 1725) · Louvre

    La Finette, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (1700 - 1725)

    La Finette

    1e quart du XVIIIe siècle (1700 - 1725) · Louvre

    Actors of the Comedie-Francaise, Jean-Antoine Watteau, 1710s

    Actors of the Comedie-Francaise

    1710s · Eremitagen

    Landscape, Jean-Antoine Watteau, 1710s

    Landscape

    1710s · Eremitagen

    Diane au bain, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1715 - 1716)

    Diane au bain

    1e quart du XVIIIe siècle (vers 1715 - 1716) · Louvre

    Nymphe et satyre, dit parfois Jupiter et Antiope, Watteau, Jean-Antoine, 1e quart du XVIIIe siècle (vers 1715 - 1716)

    Nymphe et satyre, dit parfois Jupiter et Antiope

    1e quart du XVIIIe siècle (vers 1715 - 1716) · Louvre

    Savoyard with a Marmot, Jean-Antoine Watteau, 1716

    Savoyard with a Marmot

    1716 · Eremitagen

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Ginevra de' Benci [obverse], c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Girl in White, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Farmhouse in Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Old Man Carrying a Basket, Facing Right, Vincent van Gogh, 1882

    Vincent van Gogh

    Old Man Carrying a Basket, Facing Right, 1882

    Ikke udstillet · National Gallery of Art

    Man Polishing a Boot, Vincent van Gogh, 1882

    Vincent van Gogh

    Man Polishing a Boot, 1882

    Ikke udstillet · National Gallery of Art

    Postcard with Two Peasants Digging, Vincent van Gogh, 1885

    Vincent van Gogh

    Postcard with Two Peasants Digging, 1885

    Ikke udstillet · National Gallery of Art

    Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), Pablo Picasso, 1933

    Pablo Picasso

    Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), 1933

    Ikke udstillet · National Gallery of Art

    Nude in the Studio, Pablo Picasso, 1936/1937

    Pablo Picasso

    Nude in the Studio, 1936/1937

    Ikke udstillet · National Gallery of Art

    Family of Saltimbanques, Pablo Picasso, 1905

    Pablo Picasso

    Family of Saltimbanques, 1905

    National Gallery of Art

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

    Pablo Picasso

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

    Ikke udstillet · National Gallery of Art

    Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

    Pablo Picasso

    Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

    Ikke udstillet · National Gallery of Art