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Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

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  • Litografie89 179
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'Emblem of that which shall awake the dead' (Page 19), William Blake, ca. 1797William Blake'Emblem of that which shall awake the dead' (Page 19)ca. 1797Yale Center for British Art
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57), William Blake, 1804 to 1820William Blake"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)1804 to 1820Yale Center for British Art
VI.  "The desires & perceptions of man untaught..." (Plate 8), William Blake, ca. 1788William BlakeVI. "The desires & perceptions of man untaught..." (Plate 8)ca. 1788Yale Center for British Art
Caius Julius Cæsar, William Blake, 1821William BlakeCaius Julius Cæsar1821Yale Center for British Art
The Fly (Plate 48), William Blake, 1794William BlakeThe Fly (Plate 48)1794Yale Center for British Art
"His western heaven with rocky clouds..." (Plate 31), William Blake, 1804 to 1820William Blake"His western heaven with rocky clouds..." (Plate 31)1804 to 1820Yale Center for British Art
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Yale Center for British Art
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Yale Center for British Art
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)1804 to 1820Yale Center for British Art
Chapter II, "Muster around the bleak desarts..." (Plate 4), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 4)1794Yale Center for British Art
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78), William Blake, 1804 to 1820William BlakeChapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)1804 to 1820Yale Center for British Art
"Los shudder'd at beholding Albion..." (Plate 40), William Blake, 1804 to 1820William Blake"Los shudder'd at beholding Albion..." (Plate 40)1804 to 1820Yale Center for British Art
'The thunder if in that the Almighty dwells' (Page 80), William Blake, ca. 1797William Blake'The thunder if in that the Almighty dwells' (Page 80)ca. 1797Yale Center for British Art
A Cradle Song (Plate 26), William Blake, 1789William BlakeA Cradle Song (Plate 26)1789Yale Center for British Art
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10), William Blake, ca. 1788William BlakeI. "Mans perceptions are not bounded by organs of perception..." (Plate 10)ca. 1788Yale Center for British Art
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89), William Blake, 1804 to 1820William Blake"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)1804 to 1820Yale Center for British Art
'Swift on his downy pinion flies from woe' (Page 1), William Blake, ca. 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)ca. 1797Yale Center for British Art
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)1797Yale Center for British Art
'Measuring his motions by revolving spheres' (Page 26), William Blake, 1797William Blake'Measuring his motions by revolving spheres' (Page 26)1797Yale Center for British Art
"To labours mighty, with vast strength..." (Plate 11), William Blake, 1804 to 1820William Blake"To labours mighty, with vast strength..." (Plate 11)1804 to 1820Yale Center for British Art
'Where sense runs savage broke from reason's chain' (Page 46), William Blake, 1797William Blake'Where sense runs savage broke from reason's chain' (Page 46)1797Yale Center for British Art
The Shepherd, from Songs of Innocence, William Blake, ca. 1795William BlakeThe Shepherd, from Songs of Innocenceca. 1795Yale Center for British Art
"In beauty the Daughters of Albion divide..." (Plate 58), William Blake, 1804 to 1820William Blake"In beauty the Daughters of Albion divide..." (Plate 58)1804 to 1820Yale Center for British Art
The Chimney Sweeper (Plate 45), William Blake, 1794William BlakeThe Chimney Sweeper (Plate 45)1794Yale Center for British Art
'That touch, with charm celestial heals the soul' (Page 90), William Blake, 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)1797Yale Center for British Art
"And Rahab Babylon the Great..." (Plate 75), William Blake, 1804 to 1820William Blake"And Rahab Babylon the Great..." (Plate 75)1804 to 1820Yale Center for British Art
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)1797Yale Center for British Art
The Whirlwind of Lovers (Plate 1), William Blake, 1827William BlakeThe Whirlwind of Lovers (Plate 1)1827Yale Center for British Art
"It is easier to forgive an enemy..." (Plate 91), William Blake, 1804 to 1820William Blake"It is easier to forgive an enemy..." (Plate 91)1804 to 1820Yale Center for British Art
'His hand the good man fastens on the skies' (Page 86), William Blake, ca. 1797William Blake'His hand the good man fastens on the skies' (Page 86)ca. 1797Yale Center for British Art
Songs of Experience, Title Page (Plate 33), William Blake, 1794William BlakeSongs of Experience, Title Page (Plate 33)1794Yale Center for British Art
"Condens'd his Emanations..." (Plate 9), William Blake, 1804 to 1820William Blake"Condens'd his Emanations..." (Plate 9)1804 to 1820Yale Center for British Art
Anacreon Ode LII, William Blake, 1794William BlakeAnacreon Ode LII1794Yale Center for British Art
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Yale Center for British Art
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, ca. 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)ca. 1797Yale Center for British Art
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3), William Blake, 1789William BlakeThel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)1789Yale Center for British Art
'His hand the good man fastens on the skies' (Page 86), William Blake, 1797William Blake'His hand the good man fastens on the skies' (Page 86)1797Yale Center for British Art
Publius Virgilius Maro, William Blake, 1821William BlakePublius Virgilius Maro1821Yale Center for British Art
'As if the sun could envy, check'd his beam' (Page 49), William Blake, 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)1797Yale Center for British Art
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)1804 to 1820Yale Center for British Art
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5), William Blake, 1789William BlakeII. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)1789Yale Center for British Art
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)1797Yale Center for British Art
The Chimney Sweeper (Plate 10), William Blake, 1789William BlakeThe Chimney Sweeper (Plate 10)1789Yale Center for British Art
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10), William Blake, 1804 to 1820William Blake"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)1804 to 1820Yale Center for British Art
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)1797Yale Center for British Art
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Yale Center for British Art
"And this the form of mighty Hand..." (Plate 70), William Blake, 1804 to 1820William Blake"And this the form of mighty Hand..." (Plate 70)1804 to 1820Yale Center for British Art
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, ca. 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)ca. 1797Yale Center for British Art
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