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Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

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III. "From a perception of only 3 senses..." (Plate 5), William Blake, ca. 1788William BlakeIII. "From a perception of only 3 senses..." (Plate 5)ca. 1788Yale Center for British Art
"At length for hatching ripe he breaks the shell" (Plate 8), William Blake, 1826William Blake"At length for hatching ripe he breaks the shell" (Plate 8)1826Yale Center for British Art
"Encompass'd by the frozen Net..." (Plate 80), William Blake, 1804 to 1820William Blake"Encompass'd by the frozen Net..." (Plate 80)1804 to 1820Yale Center for British Art
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Yale Center for British Art
Chapter III, "As the stars are apart from the earth..." (Plate 7), William Blake, 1794William BlakeChapter III, "As the stars are apart from the earth..." (Plate 7)1794Yale Center for British Art
"What is Man!"; Frontispiece (Plate 2), William Blake, 1826William Blake"What is Man!"; Frontispiece (Plate 2)1826Yale Center for British Art
"But when the morn arose, her lamentation renewd..." (Plate 8), William Blake, 1793William Blake"But when the morn arose, her lamentation renewd..." (Plate 8)1793Yale Center for British Art
Urizen (Plate 14), William Blake, 1794William BlakeUrizen (Plate 14)1794Yale Center for British Art
The Christian Triumph; Title Page, William Blake, 1797William BlakeThe Christian Triumph; Title Page1797Yale Center for British Art
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Yale Center for British Art
Gymnastics for Youth, Frontispiece, William Blake, 1800William BlakeGymnastics for Youth, Frontispiece1800Yale Center for British Art
'We censure nature for a span too short' (Page 23), William Blake, 1797William Blake'We censure nature for a span too short' (Page 23)1797Yale Center for British Art
Night the First. On Life, Death, and Immortality; Title Page, William Blake, 1797William BlakeNight the First. On Life, Death, and Immortality; Title Page1797Yale Center for British Art
Climbing, William Blake, 1800William BlakeClimbing1800Yale Center for British Art
The Ecchoing Green (Plate 10), William Blake, 1789William BlakeThe Ecchoing Green (Plate 10)1789Yale Center for British Art
Urizen (Plate 21), William Blake, 1794William BlakeUrizen (Plate 21)1794Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)1794Yale Center for British Art
The Christian Triumph; Title Page, William Blake, 1797William BlakeThe Christian Triumph; Title Page1797Yale Center for British Art
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, ca. 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)ca. 1797Yale Center for British Art
"Corruptability appears upon thy limbs..." (Plate 83), William Blake, 1804 to 1820William Blake"Corruptability appears upon thy limbs..." (Plate 83)1804 to 1820Yale Center for British Art
"Rose up against me thundering..." (Plate 8), William Blake, 1804 to 1820William Blake"Rose up against me thundering..." (Plate 8)1804 to 1820Yale Center for British Art
Fable I. The Dog and the Fox, William Blake, 1793William BlakeFable I. The Dog and the Fox1793Yale Center for British Art
May-Day in London, William Blake, 1784William BlakeMay-Day in London1784Yale Center for British Art
The Little Boy Lost (Plate 20), William Blake, 1789William BlakeThe Little Boy Lost (Plate 20)1789Yale Center for British Art
Love Songs, Class V. Headpiece, William Blake, 1783William BlakeLove Songs, Class V. Headpiece1783Yale Center for British Art
Chaucer's Canterbury Pilgrims, William Blake, 1810 to 1820William BlakeChaucer's Canterbury Pilgrims1810 to 1820Yale Center for British Art
Night the Third. Narcissa; Title Page, William Blake, 1797William BlakeNight the Third. Narcissa; Title Page1797Yale Center for British Art
"His face and bosom with petrific hardness..." (Plate 38), William Blake, 1804 to 1820William Blake"His face and bosom with petrific hardness..." (Plate 38)1804 to 1820Yale Center for British Art
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, ca. 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)ca. 1797Yale Center for British Art
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, ca. 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)ca. 1797Yale Center for British Art
Iron Age, William Blake, 1794William BlakeIron Age1794Yale Center for British Art
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3), William Blake, 1794William BlakeChapter I, "Lo, a shadow of horror is risen..." (Plate 3)1794Yale Center for British Art
"Jehovah stood among the Druids..." (Plate 63), William Blake, 1804 to 1820William Blake"Jehovah stood among the Druids..." (Plate 63)1804 to 1820Yale Center for British Art
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71), William Blake, 1804 to 1820William Blake"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)1804 to 1820Yale Center for British Art
Drinking Songs, Headpiece, William Blake, 1783William BlakeDrinking Songs, Headpiece1783Yale Center for British Art
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, ca. 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)ca. 1797Yale Center for British Art
'And vapid; sense and reason shew the door' (Page 72), William Blake, 1797William Blake'And vapid; sense and reason shew the door' (Page 72)1797Yale Center for British Art
Death's Door (Plate 17), William Blake, 1793William BlakeDeath's Door (Plate 17)1793Yale Center for British Art
Visions of the Daughters of Albion; Frontispiece (Plate 1), William Blake, 1793William BlakeVisions of the Daughters of Albion; Frontispiece (Plate 1)1793Yale Center for British Art
"By Satan's Watch-fiends tho' they search..." (Plate 39), William Blake, 1804 to 1820William Blake"By Satan's Watch-fiends tho' they search..." (Plate 39)1804 to 1820Yale Center for British Art
The Angel (Plate 40), William Blake, 1794William BlakeThe Angel (Plate 40)1794Yale Center for British Art
Dante Striking against Bocca Degli Abati (Plate 7), William Blake, 1827William BlakeDante Striking against Bocca Degli Abati (Plate 7)1827Yale Center for British Art
Fable XXVIII. The Persian, the Sun, and the Cloud, William Blake, 1793William BlakeFable XXVIII. The Persian, the Sun, and the Cloud1793Yale Center for British Art
'Trembling each gulp, lest death should snatch the bowl' (Page 57), William Blake, ca. 1797William Blake'Trembling each gulp, lest death should snatch the bowl' (Page 57)ca. 1797Yale Center for British Art
'We censure nature for a span too short' (Page 23), William Blake, ca. 1797William Blake'We censure nature for a span too short' (Page 23)ca. 1797Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake, 1797William Blake'Behold him, when past by; what then is seen' (Page 25)1797Yale Center for British Art
There is No Natural Religion, William Blake, ca. 1788William BlakeThere is No Natural Religionca. 1788Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b)1794Yale Center for British Art
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