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Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

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A Poison Tree (Plate 41), William Blake, 1794William BlakeA Poison Tree (Plate 41)1794Yale Center for British Art
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Yale Center for British Art
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Yale Center for British Art
Spring, from Songs of Innocence, William Blake, ca. 1795William BlakeSpring, from Songs of Innocenceca. 1795Yale Center for British Art
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Yale Center for British Art
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, ca. 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)ca. 1797Yale Center for British Art
Ancient Ballads, Headpiece, William Blake, 1783William BlakeAncient Ballads, Headpiece1783Yale Center for British Art
The Horse, William Blake, 1805William BlakeThe Horse1805Yale Center for British Art
"Bath, healing City!..." (Plate 45), William Blake, 1804 to 1820William Blake"Bath, healing City!..." (Plate 45)1804 to 1820Yale Center for British Art
Visions of the Daughters of Albion; Title Page (Plate 2), William Blake, 1793William BlakeVisions of the Daughters of Albion; Title Page (Plate 2)1793Yale Center for British Art
"And Hand & Hyle rooted into Jerusalem..." (Plate 15), William Blake, 1804 to 1820William Blake"And Hand & Hyle rooted into Jerusalem..." (Plate 15)1804 to 1820Yale Center for British Art
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25), William Blake, 1804 to 1820William Blake"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)1804 to 1820Yale Center for British Art
'The present moment terminates our sight' (Page 13), William Blake, ca. 1797William Blake'The present moment terminates our sight' (Page 13)ca. 1797Yale Center for British Art
"Help! Help!" (Plate 12), William Blake, 1826William Blake"Help! Help!" (Plate 12)1826Yale Center for British Art
From a Globe of Blood Rises Enitharmon (Plate 16), William Blake, 1794William BlakeFrom a Globe of Blood Rises Enitharmon (Plate 16)1794Yale Center for British Art
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Yale Center for British Art
'Its favours here are trials, not rewards' (Page 12), William Blake, ca. 1797William Blake'Its favours here are trials, not rewards' (Page 12)ca. 1797Yale Center for British Art
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)1797Yale Center for British Art
Love Songs, Class IV. Tailpiece, William Blake, 1783William BlakeLove Songs, Class IV. Tailpiece1783Yale Center for British Art
Urizen (Plate 8), William Blake, 1794William BlakeUrizen (Plate 8)1794Yale Center for British Art
"And the Two that escaped..." (Plate 30), William Blake, 1804 to 1820William Blake"And the Two that escaped..." (Plate 30)1804 to 1820Yale Center for British Art
"To the Jews..." (Plate 27), William Blake, 1804 to 1820William Blake"To the Jews..." (Plate 27)1804 to 1820Yale Center for British Art
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, ca. 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)ca. 1797Yale Center for British Art
"Fear & hope are -- Vision" (Plate 15), William Blake, 1826William Blake"Fear & hope are -- Vision" (Plate 15)1826Yale Center for British Art
The Little Girl Found (Plate 22), William Blake, 1789William BlakeThe Little Girl Found (Plate 22)1789Yale Center for British Art
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Yale Center for British Art
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6), William Blake, 1804 to 1820William Blake"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)1804 to 1820Yale Center for British Art
"Highgates heights & Hampsteads..." (Plate 84), William Blake, 1804 to 1820William Blake"Highgates heights & Hampsteads..." (Plate 84)1804 to 1820Yale Center for British Art
'The longest night though longer far, would fail' (Page 15), William Blake, ca. 1797William Blake'The longest night though longer far, would fail' (Page 15)ca. 1797Yale Center for British Art
Fable XLI. The Owl and the Farmer, William Blake, 1793William BlakeFable XLI. The Owl and the Farmer1793Yale Center for British Art
William Cowper, Author of "The Task", William Blake, 1802William BlakeWilliam Cowper, Author of "The Task"1802Yale Center for British Art
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56), William Blake, 1804 to 1820William Blake"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)1804 to 1820Yale Center for British Art
"To the Christians..." (Plate 77), William Blake, 1804 to 1820William Blake"To the Christians..." (Plate 77)1804 to 1820Yale Center for British Art
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale Center for British Art
'As if the sun could envy, check'd his beam' (Page 49), William Blake, ca. 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)ca. 1797Yale Center for British Art
Mrs Cowper Mother of the Poet, William Blake, 1803-1804William BlakeMrs Cowper Mother of the Poet1803-1804Yale Center for British Art
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)1797Yale Center for British Art
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale Center for British Art
"Was living: panting like a frighted wolf..." (Plate 7), William Blake, 1804 to 1820William Blake"Was living: panting like a frighted wolf..." (Plate 7)1804 to 1820Yale Center for British Art
'And vapid; sense and reason shew the door' (Page 72), William Blake, ca. 1797William Blake'And vapid; sense and reason shew the door' (Page 72)ca. 1797Yale Center for British Art
"Bath, mild Physician of Eternity..." (Plate 46), William Blake, 1804 to 1820William Blake"Bath, mild Physician of Eternity..." (Plate 46)1804 to 1820Yale Center for British Art
Thel's Motto (Plate 1), William Blake, 1789William BlakeThel's Motto (Plate 1)1789Yale Center for British Art
Fable VI. The Miser and Plutus, William Blake, 1793William BlakeFable VI. The Miser and Plutus1793Yale Center for British Art
Canto IV. Verse 328, William Blake, 1803William BlakeCanto IV. Verse 3281803Yale Center for British Art
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2), William Blake, 1804 to 1820William BlakeJerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)1804 to 1820Yale Center for British Art
"The Ox in the slaughter house moans..." (Plate 23), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 23)1794Yale Center for British Art
'Death! great proprietor of all! 'tis thine' (Page 8), William Blake, 1797William Blake'Death! great proprietor of all! 'tis thine' (Page 8)1797Yale Center for British Art
Water (Plate 4), William Blake, 1793William BlakeWater (Plate 4)1793Yale Center for British Art
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