ART WIKI33,040 件在展
地图藏品艺术家博物馆展览专栏
登录

ART WIKI

名作悬于何处,几时开门迎客。

馆藏:阿姆斯特丹国家博物馆、埃尔米塔日博物馆、大都會藝術博物館、丹麥國立美術館、俄羅斯博物館、蓋蒂別墅、国家美术馆、哈佛藝術博物館、赫尚博物馆和雕塑园、惠特尼美国艺术博物馆、克利夫蘭藝術博物館、卢浮宫博物馆、美国国立亚洲艺术博物馆、美國國家肖像畫廊、明尼阿波利斯美術館、普希金造型藝術博物館、史密森尼美國藝術博物館、特列季亚科夫画廊、维多利亚和阿尔伯特博物馆、現代藝術博物館、芝加哥藝術博物館、J·保羅·蓋蒂博物館、俄罗斯博物馆藏品国家目录(274 家博物馆)、Europeana(19 家博物馆)、维基数据(6 家博物馆)、Paris Musées(12 家博物馆)和Joconde(法国文化部博物馆数据库)(495 家博物馆)。图片版权归各权利人所有。

栏目

  • 地图
  • 搜索
  • 藏品
  • 名作
  • 此刻在展
  • 艺术家

更多

  • 博物馆与画廊
  • 展览
  • 专栏
  • 数据从何而来
  • 隐私与 Cookie
首页地图目录
  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. Watercolour
Watercolour, Beatrix Potter, ca.1910
Beatrix Potter肖像Beatrix Potter1866–1943

Watercolour

ca.1910 · Watercolour · 20.3 × 17.5 cm

可否一睹真容?

眼下不见客

维多利亚和阿尔伯特博物馆

倫敦, 英国

仍属馆藏,只是目前没有展出。

核实
13天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

作品信息

ca.1910
18661943
馆藏编号
LC 12/A/2

与此同时,在Beatrix Potter的生活中

完整生平
  1. 1903–1922

    Two or three books a year with the editor Norman Warne

    “The Tale of Squirrel Nutkin” and “The Tailor of Gloucester” followed “Peter Rabbit” in 1903 — both also began as picture letters to the Moore children. Working with the editor Norman Warne, Beatrix published two or three little books a year — 23 in all in that format, the last, in 1922, being “Cecily Parsley’s Nursery Rhymes”; the royalties gave her a degree of independence, though she still lived with her parents.

  2. 1905–1909

    Learning to farm: a tenant, sheep and Castle Farm

    The tenant farmer John Cannon and his family stayed on to run the farm while Beatrix made improvements and learned the techniques of fell farming and livestock; the following year she added sheep. To protect her boundaries she turned to the Hawkshead solicitors W. H. Heelis & Son and, with William Heelis acting for her, bought adjoining pasture — in 1909 the 20 acres of Castle Farm across the road from Hill Top.

  3. 1905–1913 · 求学

    governance

  4. summer 1912

    William Heelis proposes

    By the summer of 1912 William Heelis, the solicitor with whom Beatrix handled the affairs of her farms, had proposed and she had accepted; she did not tell her parents at once, and they again disapproved, since Heelis was only a country solicitor.

Beatrix Potter的更多作品

全部作品

同馆近邻:维多利亚和阿尔伯特博物馆

博物馆页面

画面内容

Entrance hallArchwayBarometerStaircaseTall chairCourt cupboardRugInterior viewsGwaynynog

已收入目录

素描与水彩水彩现代主义20 世纪

出处

  • 维多利亚和阿尔伯特博物馆
  • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
drawing, Beatrix Potter, late 19th century - early 20th century

drawing

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

Pink and white tulips

late 19th century-early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Watercolour, Beatrix Potter, late 19th century - early 20th century

Watercolour

late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024