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  3. Vaches à la mare
Vaches à la mare, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)
Théodore Rousseau肖像Théodore Rousseau法国, 1812–1867

Vaches à la mare

2e quart du XIXe siècle (1825 - 1850) · Peintures

可否一睹真容?

眼下不见客

卢浮宫博物馆

巴黎, 法國

仍属馆藏,只是目前没有展出。

核实
12天前
此状态始于
2026年9月26日
出处
博物馆
在地图上看博物馆页面

作品信息

2e quart du XIXe siècle (1825 - 1850)
18121867
馆藏编号
RF 2060

已收入目录

绘画油画法国绘画新古典主义浪漫主义19 世纪

出处

  • 卢浮宫博物馆
  • 图片: 卢浮宫博物馆 — © 2011 GrandPalaisRmn (musée du Louvre) / Michel Urtado

与此同时,在Théodore Rousseau的生活中

完整生平
  1. 1831

    Salon debut: a landscape of the Auvergne

    The nineteen-year-old Rousseau submitted work to the Paris Salon, and his landscape of the wild Auvergne won recognition for its lively brushwork. At the Salons of 1831, 1833, 1834 and 1835 he showed six works.

  2. 1836

    The Salon rejects “Landscape of the Jura”

    In 1836 the Salon jury rejected Rousseau's great work “Landscape of the Jura” (“The Descent of the Cattle”), and of the eight works he sent to the Salon between 1836 and 1841 none was accepted. By other accounts, the four Salons after his 1831 debut had already gone badly.

  3. winter 1836 – 1837

    First winter at Barbizon

    Rousseau spent the winter of 1836–1837 at Barbizon with the painters Narcisse Díaz de la Peña and Théodore Caruelle d'Aligny; the nature there impressed him so deeply that from then on he came back every year. In time a circle of painters who, like him, painted nature from life gathered around him — Cabat, Daubigny, Dupré — and so the Barbizon school gradually took shape.

  4. 1848

    Settles in Barbizon for good

    Until then Rousseau had lived at Barbizon only occasionally, but in 1848 he settled in the forest village (with his wife, by some accounts) and spent most of his remaining days in its vicinity. His neighbour, the landscape painter Jules Dupré, recalled how hard Rousseau found it to know when a picture was finished, and how he would sometimes carry off a canvas on which his friend had laboured too long.

  5. 1849

    Returns to the Salon

    In 1849 Rousseau sent work to the Salon again, and all three of his submissions were accepted. He could now obtain fair sums for his pictures, though only about a tenth of their value thirty years after his death, and his admirers grew in number.

  6. 1851

    Exhibits “The Edge of the Forest”

    In 1851, after the reorganization of the Salon of 1848, Rousseau exhibited his masterpiece, “The Edge of the Forest” (now in the Louvre). The authorities still ignored him: that year the Legion of Honour went to Narcisse Diaz, whom Rousseau had taught to paint trees, while he himself received the Cross only soon afterwards.

Théodore Rousseau的更多作品

全部作品
The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67

The Forest in Winter at Sunset

ca. 1846–67 · 大都會藝術博物館

L'allée des châtaigniers, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)

L'allée des châtaigniers

2e quart du XIXe siècle (1825 - 1850) · 卢浮宫博物馆

Panoramic Landscape near the River Moselle, Théodore Rousseau, c. 1830

Panoramic Landscape near the River Moselle

c. 1830 · 国家美术馆

Paysage (Auvergne?), Rousseau, Théodore, 2e quart du XIXe siècle (vers 1830)

Paysage (Auvergne?)

2e quart du XIXe siècle (vers 1830) · 卢浮宫博物馆

A River in a Meadow, Théodore Rousseau, ca. 1840

A River in a Meadow

ca. 1840 · 大都會藝術博物館

Village sous les arbres, Rousseau, Théodore, Milieu du XIXe siècle (1840 - 1860)

Village sous les arbres

Milieu du XIXe siècle (1840 - 1860) · 卢浮宫博物馆

La plaine en avant des Pyrénées, Rousseau, Théodore, 2e quart du XIXe siècle (1844)

La plaine en avant des Pyrénées

2e quart du XIXe siècle (1844) · 卢浮宫博物馆

A River Landscape, Théodore Rousseau, ca. 1845–50

A River Landscape

ca. 1845–50 · 大都會藝術博物館

同馆近邻:卢浮宫博物馆

博物馆页面
Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

蒙娜丽莎, 1e quart du XVIe siècle (1503 - 1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

巴克斯, 1e quart du XVIe siècle (vers 1517 - 1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

施洗者圣约翰, 1e quart du XVIe siècle (vers 1508 - 1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, XVIe siècle (vers 1505 - 1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

圣母子与圣安妮, 1e quart du XVIe siècle (vers 1503 - 1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, 4e quart du XVe siècle (vers 1483 - 1494)

Esclave rebelle, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

叛逆的奴隶, 1513 - 1515

Esclave mourant, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

垂死的奴隸, 1513 - 1515