The Walking Man
关于这件雕塑
The Walking Man originated from one of Auguste Rodin’s early successes, his life-size Saint John the Baptist Preaching of 1878. Rodin made separate plaster studies of the sculpture’s components, and much later he returned to the legs of the Baptist, grafting onto them a torso from another composition. In 1900 he exhibited a half-life-size version of this work in plaster, and it made a deep impression on younger artists, notably Henri Matisse. The bronze cast of The Walking Man deliberately preserves the raw stages of artistic creation while elevating the fragmentary and unfinished to a new aesthetic plane.
芝加哥藝術博物館CC BY 4.0
作品信息
- 馆藏编号
- 1987.217
与此同时，在Auguste Rodin的生活中
完整生平1880
Receives the commission for “The Gates of Hell”
His first state commission was a sculptural portal for a planned Museum of Decorative Arts; with it Rodin received two studios on the Rue de l'Université. The museum was never built and “The Gates of Hell” remained unfinished: they were first cast in bronze after the master's death.
1883
Meets Camille Claudel
Standing in for Alfred Boucher, who was away, Rodin supervised his students' course and met the eighteen-year-old Camille Claudel. She became his assistant, model, lover and creative rival.
1885
Camille Claudel: assistant and lover
From 1885 Claudel worked as an assistant in Rodin's studio and posed for him, and soon they became lovers. The affair lasted nine years, and Rodin did not break with Rose Beuret, who knew her role as “the other woman”.
1889
Rodin and Monet at the Georges Petit gallery
“The Burghers of Calais” was the main event of a joint exhibition of Rodin and Claude Monet: thirty-six sculptures by Rodin and seventy paintings by Monet.
1900
Rodin's pavilion at the World's Fair
The French government gave him an entire pavilion: a retrospective of 136 sculptures and 14 unfinished works showed “The Gates of Hell” for the first time. The exhibition brought sales of sculptures to museums around the world worth about 200,000 francs.
