Young Sailor II, Henri Matisse, 1906
Henri Matisse肖像Henri Matisse法国, 1869–1954

Young Sailor II

1906 · Painting

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关于这幅画

The Young Sailor II is a painting by Henri Matisse from 1906. It is in the collection of the Metropolitan Museum of Art, in New York.

It was donated to the Metropolitan Museum of Art as part of the Jacques and Natasha Gelman Collection, in 1998.

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作品信息

馆藏编号
1999.363.41

画面内容

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出处

Henri Matisse当时的生活

完整生平
  1. summer 1904

    Summer in Saint-Tropez with Signac

    Together with the Neo-Impressionists Paul Signac and Henri Cross, Matisse went to Saint-Tropez, where he began working in the Divisionist technique. There he painted his first masterpiece, "Luxe, Calme et Volupté" (1904/1905).

  2. summer 1905

    Collioure: The Birth of Fauvism

    Matisse spent the summer of 1905 with André Derain and Maurice de Vlaminck in the fishing village of Collioure on the Mediterranean. Together with Derain he created a new style that entered art history as Fauvism.

  3. 1905

    Scandal at the Salon d'Automne

    Matisse showed "The Open Window" and "Woman with a Hat"; Louis Vauxcelles's review of 17 October 1905 gave the group the nickname "fauves" ("wild beasts"). "Woman with a Hat" was bought by Leo Stein for 500 francs, which raised the market value of the artist's work.

  4. 1906

    Meeting Pablo Picasso

    The first meeting between Matisse and Picasso took place at the Steins' salon on the Rue de Fleurus in Paris. Their creative friendship was full of rivalry and mutual respect.

  5. 20 March 1906

    "Le Bonheur de Vivre" at the Salon des Indépendants

    Matisse presented "Le Bonheur de Vivre" (The Joy of Life), a painting combining pastoral and bacchanal motifs. Critics and academic circles reacted with extreme irritation, but Leo Stein purchased this painting as well.

  6. 1908

    Shchukin's Commission for "Dance" and "Music"

    The Russian collector Sergei Shchukin commissioned three decorative panels from Matisse for his Moscow house: "Dance," "Music," and "Bathing" (which remained at the sketch stage). The money of Russian collectors allowed the artist to finally overcome his financial difficulties.

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