The Virgin of the Immaculate Conception, ca. 1650

The Virgin of the Immaculate Conception

ca. 1650 · Statuette · 45 × 18 cm

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《The Virgin of the Immaculate Conception》现在在哪里? 收藏方: 维多利亚和阿尔伯特博物馆, 倫敦. 目前未展出. 核实 2026年9月25日.

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关于这件雕塑

Ivory sculptures were locally produced in large numbers in Portuguese Sri Lanka (formerly called Ceylon). Usually for an European clientele, their style of carving combines Indian or Sri Lankan with European traditions.

This large figure of the Virgin of the Immaculate Conception is similar in style to the Mourning Mary (V&A. no. A.35-1940) and both are likely to date from the middle of the seventeenth-century and to have been carved in Goa, or perhaps Sri Lanka. From the sixteenth-century, the Portuguese were active as traders and later as rulers in Sri Lanka and Goa (on the west coast of India).

继续阅读

Ivory carving had a long tradition on the Indian subcontinent, and elaborate works of art were made, particularly as diplomatic gifts, often presented to Western rulers. Most of the ivory would have been exported from Mozambique in East Africa. Ivory sculptures were produced in large numbers in Portuguese Sri Lanka (formerly called Ceylon). The Virgin Mary was often standing on the crescent moon, triumphant over a dragon, both symbols derived from the Book of the Apocalypse in the New Testament.. From the sixteenth century onwards, the four main missionary Orders, the Augustinians, Jesuits, Dominicans and Franciscans, built churches and aimed to convert the inhabitants of India. The ivories would assist in the presentation of Christian imagery, as well as being exported back to churches, convents and private collectors in Europe.

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A.60-1949

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