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  3. The Reflecting Pool: Collected Works
The Reflecting Pool: Collected Works, Bill Viola, 1977–80
Bill Viola肖像Bill Viola美国, 1951–2024

The Reflecting Pool: Collected Works

1977–80 · Film, Video, New Media

可否一睹真容?

眼下不见客

芝加哥藝術博物館

芝加哥, 美國

仍属馆藏,只是目前没有展出。

核实
前天
此状态始于
2026年8月19日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

关于作品

For over thirty years, Bill Viola has created single-channel videos as well as sound and video installations that focus on spirituality and explore multiple levels of human consciousness. In constructing these works, the artist draws from his extensive study of Eastern and Western art, philosophy, and religion. He also consistently deploys cutting-edge technologies, investigating new ways to manipulate viewers’ percep-tion. Both the videos in The Reflecting Pool and the installation Reasons for Knocking at an Empty House are important early works that foreshadow Viola’s later creations, combining philosophic inquiry with captivating physical environments.

继续阅读

The Reflecting Pool is a series comprising five individual videos, including Moonblood, that offer a collective meditation on the various stages in an individual life. The first work, also titled The Reflecting Pool, demonstrates the shift from stillness to motion as a fixed camera captures a man approaching a pool of water through trees and lush foliage. The only sounds are those of the branches rustling and the water rippling. The man momentarily stands before the pool before jumping into the air. As he reaches the crest of his jump, he is frozen in space while the water beneath him continues to undulate. There is a fleeting reflection of other people walking around the pool, although no one can be seen doing so. After a series of similar perceptual and temporal fragmentations, the man’s image fades, leaving only the pool. The final moments of the video are evocative of baptism, as a nude man emerges from the water and retreats into the woods.

In this series, Viola aims to deconstruct viewers’ concepts of time and memory, divorcing images from their subjective meaning and reconnecting them to universal truths. This process of fostering self-awareness is an undercurrent of the artist’s practice. He has remarked, “There’s another dimension that you just know is there, that can be a source of real knowledge, and the quest for connecting with that and identifying that is the whole impetus for me to cultivate these experiences and to make my work.”

In both The Reflecting Pool and Reasons for Knocking at an Empty House, the artist urges viewers to become active participants. Of his work, Viola stated, “You’re a part of it. It’s not something that’s just a fixed projection from the past.”

芝加哥藝術博物館 · CC BY 4.0

作品信息

1977–80 · 26岁
19512024
馆藏编号
1983.277

已收入目录

当代艺术20 世纪美国

出处

  • 芝加哥藝術博物館:博物馆的开放数据 · 8天前获取
  • 图片: 芝加哥藝術博物館 — © the artist or rights holder

Bill Viola的更多作品

全部作品
Three Women, Bill Viola, 2008

Three Women

2008 · 明尼阿波利斯美術館

The Space Between the Teeth, Bill Viola, 1976

The Space Between the Teeth

1976 · 未展出 · 現代藝術博物館

Truth Through Mass Individuation, Bill Viola, 1976

Truth Through Mass Individuation

1976 · 未展出 · 現代藝術博物館

Junkyard Levitation, Bill Viola, 1976

Junkyard Levitation

1976 · 未展出 · 現代藝術博物館

Migration, Bill Viola, 1976

Migration

1976 · 未展出 · 現代藝術博物館

Songs of Innocence, Bill Viola, 1976

Songs of Innocence

1976 · 未展出 · 現代藝術博物館

The Reflecting Pool, Bill Viola, 1977-1979

The Reflecting Pool

1977-1979 · 未展出 · 現代藝術博物館

Moonblood, Bill Viola, 1977-1979

Moonblood

1977-1979 · 未展出 · 現代藝術博物館

同馆近邻:芝加哥藝術博物館

博物馆页面
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

大碗岛的星期天下午, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

雨天的巴黎街道, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

两姐妹, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

蘋果籃, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

美国哥特式, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

夜游者, 1942