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  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. The Fire King
The Fire King, Henry Fuseli, 1801-1810
Johann Heinrich Füssli肖像Johann Heinrich Füssli瑞士, 1741–1825

The Fire King

1801-1810 · Oil painting

可否一睹真容?

可以,正在迎客

维多利亚和阿尔伯特博物馆

倫敦, 英国

展厅Paintings, Room 82, The Edwin and Susan Davies Galleries

正对公众展出。由谁担保,见下文。

核实
13天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

关于这幅画

Henry Fuseli [Johann Heinrich Füssli] (1741-1825), was born in Zurich and received rigorous art-historical training from his father Johann Caspar Füssli. He spent most of his life in London becoming an associate of the Royal Academy in 1788 and a Royal Academician in 1790. He specialised in history paintings on a grand scale, drawing his inspiration from the mythology, classical literature and notably Dante’s Divine Comedy. He was also a prolific writer and was elected the Academy’s Professor of Painting in a post he held until 1805; he was made Keeper in 1804 and re-elected Professor in 1810, and the statutes were changed to enable him to retain the Keepership as well.

继续阅读

The subject matter was borrowed from Walter Scott’s ballad, The Fire King, published in G.M. Lewis’ Tales of Wonder in 1801. It is set at the time of the Crusades, and depicts the Fire King about to give a magical sword to the hero, Count Albert. This scene of emotional intensity and the emphasis on the hero’s terror as the Fire King appears in a glow of volcanic irruptions is a fine example of Fuseli’s art. His wide-ranging imagination and favourite subject matters draw upon the supernatural, fairy mythology and demonic superstition.

维多利亚和阿尔伯特博物馆

作品信息

1801-1810
17411825
馆藏编号
158-1885

与此同时,在Johann Heinrich Füssli的生活中

完整生平
  1. 1778–1825 · 工作地

    Great Britain

  2. 1788–1803 · 居住

    37 Foley Street

  3. 1799

    The “Milton Gallery”: 47 paintings

    Fuseli exhibited 47 paintings on subjects from Milton, many of them very large and completed at intervals over nine years, hoping to form a Milton gallery comparable to Boydell's Shakespeare Gallery. The exhibition proved a commercial failure and closed in 1800.

  4. 1799

    Professor of Painting at the Royal Academy

    In 1799 Fuseli was appointed Professor of Painting at the Royal Academy. His pupils included Theodor von Holst, David Wilkie, Benjamin Haydon, William Etty and Edwin Landseer.

  5. 1801

    Begins his lectures on painting at the Academy

    Fuseli's principal written work was a series of twelve lectures delivered at the Royal Academy, begun in 1801. He wrote French, Italian, English and German with equal facility, though he preferred German as the vehicle of his thoughts.

  6. 1804

    Keeper of the Royal Academy

    From 1804 to 1825 Fuseli served as Keeper of the Academy's picture gallery (by other accounts he was chosen Keeper four years after becoming professor, i.e. in 1803, and resigned his professorship then). In 1810 he resumed teaching and held both offices until his death.

Johann Heinrich Füssli的更多作品

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同一展厅 · Paintings, Room 82, The Edwin and Susan Davies Galleries, 维多利亚和阿尔伯特博物馆

博物馆页面

同一主题 · 男人

该主题的全部作品

画面内容

男人CavernFigureFire

已收入目录

绘画油画英国绘画新古典主义浪漫主义19 世纪Swiss SchoolRomanticism伦敦

出处

  • 维多利亚和阿尔伯特博物馆
  • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
Lady Macbeth marchant dans son sommeil, dit aussi Lady Macbeth somnambule, Füssli, Johann Heinrich, 4e quart du XVIIIe siècle (vers 1784)

Lady Macbeth marchant dans son sommeil, dit aussi Lady Macbeth somnambule

4e quart du XVIIIe siècle (vers 1784) · 卢浮宫博物馆

Oedipus Cursing His Son Polynices, Henry Fuseli, 1786

Oedipus Cursing His Son Polynices

1786 · 国家美术馆

The Night-Hag Visiting Lapland Witches, Henry Fuseli, 1796

The Night-Hag Visiting Lapland Witches

1796 · 大都會藝術博物館

The Cave of Despair, Henry Fuseli, c. 1769

The Cave of Despair

c. 1769 · 芝加哥藝術博物館

Two Heads of Damned Souls from Dante's "Inferno" (front and back), Henry Fuseli, 1770/78

Two Heads of Damned Souls from Dante's "Inferno" (front and back)

1770/78 · 芝加哥藝術博物館

Sketch for "Oath on the Rütli," Female Figure (verso), Henry Fuseli, 1779/81; 1785/90 (verso)

Sketch for "Oath on the Rütli," Female Figure (verso)

1779/81; 1785/90 (verso) · 芝加哥藝術博物館

Milton Dictating to His Daughter, Henry Fuseli, 1794

Milton Dictating to His Daughter

1794 · 芝加哥藝術博物館

Der Engel zeigt Moses das Gelobte Land, Henry Fuseli

Der Engel zeigt Moses das Gelobte Land

Kupferstich-Kabinett Dresden

Florence Dombey in Captain Cuttle's Parlour, William Maw Egley, 1888

William Maw Egley

Florence Dombey in Captain Cuttle's Parlour, 1888

Sweet Summer Time, Richard Redgrave, 1869

Richard Redgrave

Sweet Summer Time, 1869

Sketch for 'The Derby Day', William Powell Frith, 1858

William Powell Frith

Sketch for 'The Derby Day', 1858

The Lake of Lucerne: Mont Pilatus in the Distance, John William Inchbold, 1857

John William Inchbold

The Lake of Lucerne: Mont Pilatus in the Distance, 1857

Fishing, François Bocion, 1855

François Bocion

Fishing, 1855

The Good Harvest of 1854, Charles Allston Collins, 1854

Charles Allston Collins

The Good Harvest of 1854, 1854

Blackheath Park, William Mulready, 1852

William Mulready

Blackheath Park, 1852

Mountain Landscape with Rocks, John Martin, ca. 1851

John Martin

Mountain Landscape with Rocks, ca. 1851

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Vincent van Gogh

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887

大都會藝術博物館

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

圣阿德列斯的花园, 1867

大都會藝術博物館

The Musicians, Caravaggio, 1597

Caravaggio

The Musicians, 1597

大都會藝術博物館

Self-Portrait, Rembrandt van Rijn, 1660

Rembrandt van Rijn

Self-Portrait, 1660

大都會藝術博物館

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67

Rembrandt van Rijn

Portrait of Gerard de Lairesse, 1665–67

大都會藝術博物館

Aristotle with a Bust of Homer, Rembrandt, 1653

Rembrandt van Rijn

亚里士多德与荷马半身像, 1653

大都會藝術博物館

Young Sailor II, Henri Matisse, 1906

Henri Matisse

Young Sailor II, 1906

大都會藝術博物館

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

大都會藝術博物館